Hostel (Eli Roth, 2005 et 2007), le torture-porn et le cinéma d’exploitation : l’être humain à l’ère de sa reproductibilité technique

Produced by Quentin Tarantino, the first two installments of Hostel (Eli Roth, 2005, 2007) belong to a subgenre of horror that emerged in the early 2000s, the torture porn, and are heavily influenced by exploitation films. The system depicted in Hostel (you pay to torture and kill someone) is at the...

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Main Author: Pierre Jailloux
Format: Article
Language:English
Published: Association Française d'Etudes Américaines 2016-07-01
Series:Transatlantica
Subjects:
Online Access:https://journals.openedition.org/transatlantica/7832
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author Pierre Jailloux
author_facet Pierre Jailloux
author_sort Pierre Jailloux
collection DOAJ
description Produced by Quentin Tarantino, the first two installments of Hostel (Eli Roth, 2005, 2007) belong to a subgenre of horror that emerged in the early 2000s, the torture porn, and are heavily influenced by exploitation films. The system depicted in Hostel (you pay to torture and kill someone) is at the basis of a deliberate critique of a globalized contemporary world governed by rampant economic liberalism according to which anything or anyone can be bought or sold. The recycling of exploitation cinema conventions is more than just playful: it overlaps with the recycling of human bodies reduced to merchandise, ambiguously catering to, and criticizing, the voyeuristic pleasure that devolves from the cinematographic exploitation of bodies.
format Article
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spelling doaj-art-a9d734d777904926905dfdabd830d8462025-01-30T10:42:57ZengAssociation Française d'Etudes AméricainesTransatlantica1765-27662016-07-01210.4000/transatlantica.7832Hostel (Eli Roth, 2005 et 2007), le torture-porn et le cinéma d’exploitation : l’être humain à l’ère de sa reproductibilité techniquePierre JaillouxProduced by Quentin Tarantino, the first two installments of Hostel (Eli Roth, 2005, 2007) belong to a subgenre of horror that emerged in the early 2000s, the torture porn, and are heavily influenced by exploitation films. The system depicted in Hostel (you pay to torture and kill someone) is at the basis of a deliberate critique of a globalized contemporary world governed by rampant economic liberalism according to which anything or anyone can be bought or sold. The recycling of exploitation cinema conventions is more than just playful: it overlaps with the recycling of human bodies reduced to merchandise, ambiguously catering to, and criticizing, the voyeuristic pleasure that devolves from the cinematographic exploitation of bodies.https://journals.openedition.org/transatlantica/7832intertextualityEli Rothexploitation cinemahorror movietorture porncritique of image culture
spellingShingle Pierre Jailloux
Hostel (Eli Roth, 2005 et 2007), le torture-porn et le cinéma d’exploitation : l’être humain à l’ère de sa reproductibilité technique
Transatlantica
intertextuality
Eli Roth
exploitation cinema
horror movie
torture porn
critique of image culture
title Hostel (Eli Roth, 2005 et 2007), le torture-porn et le cinéma d’exploitation : l’être humain à l’ère de sa reproductibilité technique
title_full Hostel (Eli Roth, 2005 et 2007), le torture-porn et le cinéma d’exploitation : l’être humain à l’ère de sa reproductibilité technique
title_fullStr Hostel (Eli Roth, 2005 et 2007), le torture-porn et le cinéma d’exploitation : l’être humain à l’ère de sa reproductibilité technique
title_full_unstemmed Hostel (Eli Roth, 2005 et 2007), le torture-porn et le cinéma d’exploitation : l’être humain à l’ère de sa reproductibilité technique
title_short Hostel (Eli Roth, 2005 et 2007), le torture-porn et le cinéma d’exploitation : l’être humain à l’ère de sa reproductibilité technique
title_sort hostel eli roth 2005 et 2007 le torture porn et le cinema d exploitation l etre humain a l ere de sa reproductibilite technique
topic intertextuality
Eli Roth
exploitation cinema
horror movie
torture porn
critique of image culture
url https://journals.openedition.org/transatlantica/7832
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