Charles et ses images
From the 1930s to the present, Charles Bovary is probably the most altered character in the adaptations of Flaubert’s novel. The first directors made a victim of him, but gradually, the cinema began to emphasize his deleterious dimension and attributed to him a large part of the responsibility for E...
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| Format: | Article |
| Language: | fra |
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Institut des Textes & Manuscrits Modernes (ITEM)
2009-01-01
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| Series: | Flaubert: Revue Critique et Génétique |
| Subjects: | |
| Online Access: | https://journals.openedition.org/flaubert/628 |
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| _version_ | 1832095795560579072 |
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| author | Anne-Marie Baron |
| author_facet | Anne-Marie Baron |
| author_sort | Anne-Marie Baron |
| collection | DOAJ |
| description | From the 1930s to the present, Charles Bovary is probably the most altered character in the adaptations of Flaubert’s novel. The first directors made a victim of him, but gradually, the cinema began to emphasize his deleterious dimension and attributed to him a large part of the responsibility for Emma’s grief. From Pierre Renoir, touching and authentic, to Gregg Edelman, who fantasizes on a pornographic website in Todd Field’s Little Children, the more or less pathetic or ridiculous portrayals given by Van Heflin, Aribert Wäscher, Alberto Bello, Jean-François Balmer, Farooq Shaikh or Luis-Miguel Cintra, show that more than any other character in the novel, Charles has been submitted to a serious metamorphosis by being interpreted on screen according to each country’s civilization and the successive decades of filming. |
| format | Article |
| id | doaj-art-a81c3800eb494ec4a947ede0a073a7c2 |
| institution | Kabale University |
| issn | 1969-6191 |
| language | fra |
| publishDate | 2009-01-01 |
| publisher | Institut des Textes & Manuscrits Modernes (ITEM) |
| record_format | Article |
| series | Flaubert: Revue Critique et Génétique |
| spelling | doaj-art-a81c3800eb494ec4a947ede0a073a7c22025-02-05T16:30:06ZfraInstitut des Textes & Manuscrits Modernes (ITEM)Flaubert: Revue Critique et Génétique1969-61912009-01-0110.4000/flaubert.628Charles et ses imagesAnne-Marie BaronFrom the 1930s to the present, Charles Bovary is probably the most altered character in the adaptations of Flaubert’s novel. The first directors made a victim of him, but gradually, the cinema began to emphasize his deleterious dimension and attributed to him a large part of the responsibility for Emma’s grief. From Pierre Renoir, touching and authentic, to Gregg Edelman, who fantasizes on a pornographic website in Todd Field’s Little Children, the more or less pathetic or ridiculous portrayals given by Van Heflin, Aribert Wäscher, Alberto Bello, Jean-François Balmer, Farooq Shaikh or Luis-Miguel Cintra, show that more than any other character in the novel, Charles has been submitted to a serious metamorphosis by being interpreted on screen according to each country’s civilization and the successive decades of filming.https://journals.openedition.org/flaubert/628moviesadaptationMadame BovaryBovary Charles |
| spellingShingle | Anne-Marie Baron Charles et ses images Flaubert: Revue Critique et Génétique movies adaptation Madame Bovary Bovary Charles |
| title | Charles et ses images |
| title_full | Charles et ses images |
| title_fullStr | Charles et ses images |
| title_full_unstemmed | Charles et ses images |
| title_short | Charles et ses images |
| title_sort | charles et ses images |
| topic | movies adaptation Madame Bovary Bovary Charles |
| url | https://journals.openedition.org/flaubert/628 |
| work_keys_str_mv | AT annemariebaron charlesetsesimages |