Great Scott!: Adaptive Dynamics of the Scott Pilgrim Franchise From the Comics to the Netflix Series

This article investigates the franchise that originated from Bryan Lee O’Malley’s Scott Pilgrim comics series (2004-2010) and continued with a film adaptation (Scott Pilgrim vs. the World, 2010, Edgar Wright) and the recent animated Netflix series Scott Pilgrim Takes Off (2023). Scott Pilgrim’s n...

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Main Author: Giorgio Busi Rizzi
Format: Article
Language:English
Published: Università di Napoli Federico II 2023-01-01
Series:Funes
Online Access:https://serena.atcult.it/index.php/funes/article/view/10847
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author Giorgio Busi Rizzi
author_facet Giorgio Busi Rizzi
author_sort Giorgio Busi Rizzi
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description This article investigates the franchise that originated from Bryan Lee O’Malley’s Scott Pilgrim comics series (2004-2010) and continued with a film adaptation (Scott Pilgrim vs. the World, 2010, Edgar Wright) and the recent animated Netflix series Scott Pilgrim Takes Off (2023). Scott Pilgrim’s narrative ecosystem unfolds across various media, displaying heterogeneous characteristics regarding production structures, forms, and content. Indeed, the franchise also features several spinoffs: a short-lived mobile comic, a beat ‘em up video game, and a card game. While surveying its medial articulation, I will discuss its appeal to hypermediacy mechanisms, both interweaving references between the components of the franchise and connecting it with music and gaming cultures; and its content, examining the progressive reworking of its storyworld, its alignment with diverse genres and imaginaries, and the way its unfolding aims to adapt and resonate with varied audiences and cater to their cultural preferences and consumption patterns.  
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spelling doaj-art-a7fd94e240e94dd98bf22b7830a62fb42025-08-20T03:38:48ZengUniversità di Napoli Federico IIFunes2532-67322023-01-017110.6093/2532-6732/10847Great Scott!: Adaptive Dynamics of the Scott Pilgrim Franchise From the Comics to the Netflix SeriesGiorgio Busi Rizzi0Ghent University This article investigates the franchise that originated from Bryan Lee O’Malley’s Scott Pilgrim comics series (2004-2010) and continued with a film adaptation (Scott Pilgrim vs. the World, 2010, Edgar Wright) and the recent animated Netflix series Scott Pilgrim Takes Off (2023). Scott Pilgrim’s narrative ecosystem unfolds across various media, displaying heterogeneous characteristics regarding production structures, forms, and content. Indeed, the franchise also features several spinoffs: a short-lived mobile comic, a beat ‘em up video game, and a card game. While surveying its medial articulation, I will discuss its appeal to hypermediacy mechanisms, both interweaving references between the components of the franchise and connecting it with music and gaming cultures; and its content, examining the progressive reworking of its storyworld, its alignment with diverse genres and imaginaries, and the way its unfolding aims to adapt and resonate with varied audiences and cater to their cultural preferences and consumption patterns.  https://serena.atcult.it/index.php/funes/article/view/10847
spellingShingle Giorgio Busi Rizzi
Great Scott!: Adaptive Dynamics of the Scott Pilgrim Franchise From the Comics to the Netflix Series
Funes
title Great Scott!: Adaptive Dynamics of the Scott Pilgrim Franchise From the Comics to the Netflix Series
title_full Great Scott!: Adaptive Dynamics of the Scott Pilgrim Franchise From the Comics to the Netflix Series
title_fullStr Great Scott!: Adaptive Dynamics of the Scott Pilgrim Franchise From the Comics to the Netflix Series
title_full_unstemmed Great Scott!: Adaptive Dynamics of the Scott Pilgrim Franchise From the Comics to the Netflix Series
title_short Great Scott!: Adaptive Dynamics of the Scott Pilgrim Franchise From the Comics to the Netflix Series
title_sort great scott adaptive dynamics of the scott pilgrim franchise from the comics to the netflix series
url https://serena.atcult.it/index.php/funes/article/view/10847
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