« Hair-oes » et « hair-oines » : les choix capillaires osés de John Neal, ou comment circonscrire l’Américain, entre poil dur et poil souple

This paper explores the quasi-obsessional use John Neal (1793-1876) makes of hair: the vibrating nealian hair is a neutral ground, a ground where the alchemy shaping Neal’s androgynous American is at work. This study offers a new perspective on the “Declaration of Independence, in the great Republic...

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Main Author: Sébastien Liagre
Format: Article
Language:English
Published: Association Française d'Etudes Américaines 2017-02-01
Series:Transatlantica
Subjects:
Online Access:https://journals.openedition.org/transatlantica/8202
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author Sébastien Liagre
author_facet Sébastien Liagre
author_sort Sébastien Liagre
collection DOAJ
description This paper explores the quasi-obsessional use John Neal (1793-1876) makes of hair: the vibrating nealian hair is a neutral ground, a ground where the alchemy shaping Neal’s androgynous American is at work. This study offers a new perspective on the “Declaration of Independence, in the great Republic of Letters” proclaimed in the preface of Rachel Dyer (1828): following Neal’s wavy-haired protagonists, we come closer to the heart of his “Frontier-writing,” American, though underrated.
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institution Kabale University
issn 1765-2766
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publisher Association Française d'Etudes Américaines
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series Transatlantica
spelling doaj-art-a7fa1f2e3d364e48b7e39bd5517614ce2025-01-30T10:46:08ZengAssociation Française d'Etudes AméricainesTransatlantica1765-27662017-02-01110.4000/transatlantica.8202« Hair-oes » et « hair-oines » : les choix capillaires osés de John Neal, ou comment circonscrire l’Américain, entre poil dur et poil soupleSébastien LiagreThis paper explores the quasi-obsessional use John Neal (1793-1876) makes of hair: the vibrating nealian hair is a neutral ground, a ground where the alchemy shaping Neal’s androgynous American is at work. This study offers a new perspective on the “Declaration of Independence, in the great Republic of Letters” proclaimed in the preface of Rachel Dyer (1828): following Neal’s wavy-haired protagonists, we come closer to the heart of his “Frontier-writing,” American, though underrated.https://journals.openedition.org/transatlantica/8202independenceUnited Statesrevolutionlanguagenaturesexuality
spellingShingle Sébastien Liagre
« Hair-oes » et « hair-oines » : les choix capillaires osés de John Neal, ou comment circonscrire l’Américain, entre poil dur et poil souple
Transatlantica
independence
United States
revolution
language
nature
sexuality
title « Hair-oes » et « hair-oines » : les choix capillaires osés de John Neal, ou comment circonscrire l’Américain, entre poil dur et poil souple
title_full « Hair-oes » et « hair-oines » : les choix capillaires osés de John Neal, ou comment circonscrire l’Américain, entre poil dur et poil souple
title_fullStr « Hair-oes » et « hair-oines » : les choix capillaires osés de John Neal, ou comment circonscrire l’Américain, entre poil dur et poil souple
title_full_unstemmed « Hair-oes » et « hair-oines » : les choix capillaires osés de John Neal, ou comment circonscrire l’Américain, entre poil dur et poil souple
title_short « Hair-oes » et « hair-oines » : les choix capillaires osés de John Neal, ou comment circonscrire l’Américain, entre poil dur et poil souple
title_sort  hair oes  et  hair oines  les choix capillaires oses de john neal ou comment circonscrire l americain entre poil dur et poil souple
topic independence
United States
revolution
language
nature
sexuality
url https://journals.openedition.org/transatlantica/8202
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