Ombres et lumières croisées : l’appropriation prométhéenne de la lumière dans les peintures de Wright of Derby (1734-97) et John Martin (1789-1854)
In the very disparate paintings of John Martin (1789-1854) and Wright of Derby (1734-97), whether it be the scenes of scientific experimentation, the forges, the engineering projects, the candlelight paintings, the Italian paintings or the landscapes, what seems to link them is a strong attention to...
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| Format: | Article |
| Language: | English |
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Presses Universitaires du Midi
2013-04-01
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| Series: | Anglophonia |
| Subjects: | |
| Online Access: | https://journals.openedition.org/acs/189 |
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