Un classique, une vedette. Les visages médiatiques de Gustave Flaubert (1880-1936)
This article proposes to draw the threads of Flaubert's media and symbolic edification through the faces of the man and the work that the press drew from his death in 1880 to the adaptation of Madame Bovary by Gaston Baty in 1936. Flaubert appears in turn as a master and a celebrity, according...
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| Format: | Article |
| Language: | fra |
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Institut des Textes & Manuscrits Modernes (ITEM)
2021-06-01
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| Series: | Flaubert: Revue Critique et Génétique |
| Online Access: | https://journals.openedition.org/flaubert/4312 |
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| _version_ | 1832095840798244864 |
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| author | Marie-Astrid Charlier |
| author_facet | Marie-Astrid Charlier |
| author_sort | Marie-Astrid Charlier |
| collection | DOAJ |
| description | This article proposes to draw the threads of Flaubert's media and symbolic edification through the faces of the man and the work that the press drew from his death in 1880 to the adaptation of Madame Bovary by Gaston Baty in 1936. Flaubert appears in turn as a master and a celebrity, according to a double process of classicisation and stardom of the author. The man who thundered against the tastes of the public has become, in spite of himself, a classic, even an untouchable in the history of French literature, while at the same time he has acquired post-mortem status as a star, who disliked - or rather declared himself to dislike - the press and public life in general. |
| format | Article |
| id | doaj-art-a47fc007fa43442587e493a963c9caa2 |
| institution | Kabale University |
| issn | 1969-6191 |
| language | fra |
| publishDate | 2021-06-01 |
| publisher | Institut des Textes & Manuscrits Modernes (ITEM) |
| record_format | Article |
| series | Flaubert: Revue Critique et Génétique |
| spelling | doaj-art-a47fc007fa43442587e493a963c9caa22025-02-05T16:29:25ZfraInstitut des Textes & Manuscrits Modernes (ITEM)Flaubert: Revue Critique et Génétique1969-61912021-06-012510.4000/flaubert.4312Un classique, une vedette. Les visages médiatiques de Gustave Flaubert (1880-1936)Marie-Astrid CharlierThis article proposes to draw the threads of Flaubert's media and symbolic edification through the faces of the man and the work that the press drew from his death in 1880 to the adaptation of Madame Bovary by Gaston Baty in 1936. Flaubert appears in turn as a master and a celebrity, according to a double process of classicisation and stardom of the author. The man who thundered against the tastes of the public has become, in spite of himself, a classic, even an untouchable in the history of French literature, while at the same time he has acquired post-mortem status as a star, who disliked - or rather declared himself to dislike - the press and public life in general.https://journals.openedition.org/flaubert/4312 |
| spellingShingle | Marie-Astrid Charlier Un classique, une vedette. Les visages médiatiques de Gustave Flaubert (1880-1936) Flaubert: Revue Critique et Génétique |
| title | Un classique, une vedette. Les visages médiatiques de Gustave Flaubert (1880-1936) |
| title_full | Un classique, une vedette. Les visages médiatiques de Gustave Flaubert (1880-1936) |
| title_fullStr | Un classique, une vedette. Les visages médiatiques de Gustave Flaubert (1880-1936) |
| title_full_unstemmed | Un classique, une vedette. Les visages médiatiques de Gustave Flaubert (1880-1936) |
| title_short | Un classique, une vedette. Les visages médiatiques de Gustave Flaubert (1880-1936) |
| title_sort | un classique une vedette les visages mediatiques de gustave flaubert 1880 1936 |
| url | https://journals.openedition.org/flaubert/4312 |
| work_keys_str_mv | AT marieastridcharlier unclassiqueunevedettelesvisagesmediatiquesdegustaveflaubert18801936 |