Smoke (Paul Auster et Wayne Wang, 1995) : une œuvre à la croisée des arts
The adaptation of the short story entitled “Auggie Wren’s Christmas Story” (1990) gathered the writer Paul Auster and the director Wayne Wang around a film project that allowed them to share their artistic practices in a collaborative work. This paper examines the question that underpins the narrati...
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| Format: | Article |
| Language: | English |
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Association Française d'Etudes Américaines
2011-04-01
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| Series: | Transatlantica |
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| Online Access: | https://journals.openedition.org/transatlantica/5113 |
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| _version_ | 1832580637316349952 |
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| author | Delphine Letort |
| author_facet | Delphine Letort |
| author_sort | Delphine Letort |
| collection | DOAJ |
| description | The adaptation of the short story entitled “Auggie Wren’s Christmas Story” (1990) gathered the writer Paul Auster and the director Wayne Wang around a film project that allowed them to share their artistic practices in a collaborative work. This paper examines the question that underpins the narrative of the short-story by grappling with the appropriations of the real in other artistic modes. Paul Auster’s first encounter with the cinema points out the convergence between aural writing and cinematic writing, evoked through the double figure of the writer and that of the tale-teller/photographer in both the film and the short story. |
| format | Article |
| id | doaj-art-a18e88b7bd6c4b9aa4804018257a1e96 |
| institution | Kabale University |
| issn | 1765-2766 |
| language | English |
| publishDate | 2011-04-01 |
| publisher | Association Française d'Etudes Américaines |
| record_format | Article |
| series | Transatlantica |
| spelling | doaj-art-a18e88b7bd6c4b9aa4804018257a1e962025-01-30T10:46:51ZengAssociation Française d'Etudes AméricainesTransatlantica1765-27662011-04-01210.4000/transatlantica.5113Smoke (Paul Auster et Wayne Wang, 1995) : une œuvre à la croisée des artsDelphine LetortThe adaptation of the short story entitled “Auggie Wren’s Christmas Story” (1990) gathered the writer Paul Auster and the director Wayne Wang around a film project that allowed them to share their artistic practices in a collaborative work. This paper examines the question that underpins the narrative of the short-story by grappling with the appropriations of the real in other artistic modes. Paul Auster’s first encounter with the cinema points out the convergence between aural writing and cinematic writing, evoked through the double figure of the writer and that of the tale-teller/photographer in both the film and the short story.https://journals.openedition.org/transatlantica/5113photographyPaul AusterWayne Wangindependent cinemainterpenetration between the arts. |
| spellingShingle | Delphine Letort Smoke (Paul Auster et Wayne Wang, 1995) : une œuvre à la croisée des arts Transatlantica photography Paul Auster Wayne Wang independent cinema interpenetration between the arts. |
| title | Smoke (Paul Auster et Wayne Wang, 1995) : une œuvre à la croisée des arts |
| title_full | Smoke (Paul Auster et Wayne Wang, 1995) : une œuvre à la croisée des arts |
| title_fullStr | Smoke (Paul Auster et Wayne Wang, 1995) : une œuvre à la croisée des arts |
| title_full_unstemmed | Smoke (Paul Auster et Wayne Wang, 1995) : une œuvre à la croisée des arts |
| title_short | Smoke (Paul Auster et Wayne Wang, 1995) : une œuvre à la croisée des arts |
| title_sort | smoke paul auster et wayne wang 1995 une oeuvre a la croisee des arts |
| topic | photography Paul Auster Wayne Wang independent cinema interpenetration between the arts. |
| url | https://journals.openedition.org/transatlantica/5113 |
| work_keys_str_mv | AT delphineletort smokepaulausteretwaynewang1995uneœuvrealacroiseedesarts |