« L'État de tous les spectateurs »
In the beginning of the 1950s, the cinema is one of the spheres where the Soviet government undertakes reform projects: an economic development of production and distribution systems, but also a modernization of equipment and the levelling of the conditions of projection. The definition is not taboo...
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| Main Author: | |
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| Format: | Article |
| Language: | deu |
| Published: |
Conserveries Mémorielles
2012-04-01
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| Series: | Conserveries Mémorielles |
| Subjects: | |
| Online Access: | https://journals.openedition.org/cm/1168 |
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