Créer contre l’oubli ou la censure de la mémoire uruguayenne
During its last dictatorship the murgas, like all forms of artistic entertainment, were closely monitored by a state-controlled censorship. After the 1984 elections, the Uruguayan dictatorship came into demise when the Colorado Party claimed victory. In this more permissive democratic environment, m...
Saved in:
| Main Author: | Dorothée Chouitem |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
UMR 5136- France, Amériques, Espagne – Sociétés, Pouvoirs, Acteurs (FRAMESPA)
2018-02-01
|
| Series: | Les Cahiers de Framespa |
| Subjects: | |
| Online Access: | https://journals.openedition.org/framespa/4629 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Devoir de mémoire et droit à l’oubli vs. devoir d’oubli et droit de mémoire
by: Sylvie Anne Goldberg
Published: (2021-02-01) -
L’oubli du patrimoine
by: Stéphane Olivesi
Published: (2022-07-01) -
La mémoire et sa condamnation dans le monde romain : L’éloquence de l’oubli ?
by: Anne Daguet-Gagey
Published: (2021-02-01) -
Les quotidiens de la catastrophe : dispositifs documentaires contre l’oubli (Rithy Panh, Wang Bing)
by: Clément Dumas
Published: (2021-08-01) -
La mémoire et l’oubli : écrire l’exil
by: Isabelle Lacoue-Labarthe, et al.
Published: (2013-09-01)