Les avant-gardes et la narration
The European Avant-gardes of the first half of the 20th century held a strangely homogeneous (though often accidental) discourse on the novel : on a theoretical level, the Futurists, the Dadaists and the Surrealists were resolutely against a literary form which embodied the bourgeois spirit of the 1...
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| Format: | Article |
| Language: | fra |
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Laboratoire Interdisciplinaire Récits Cultures Et Sociétés
2013-09-01
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| Series: | Cahiers de Narratologie |
| Subjects: | |
| Online Access: | https://journals.openedition.org/narratologie/6661 |
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| Summary: | The European Avant-gardes of the first half of the 20th century held a strangely homogeneous (though often accidental) discourse on the novel : on a theoretical level, the Futurists, the Dadaists and the Surrealists were resolutely against a literary form which embodied the bourgeois spirit of the 19th century. Nonetheless, these same avant-garde authors wrote several novels. This is not only another paradox of modernity, but rather a stance on the part of such writers which needs to be investigated. The paper offers a view of the formal constraints which inspired avant-gardes’ prosaic production, as well as an analysis of a corpus of texts in prose often neglected because of their “hermetism”, which brings them nearer to poetry than to novel. |
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| ISSN: | 0993-8516 1765-307X |