Birds of a Feather: Alexander McQueen’s Victorian Bestiary

With fur, feathers, corals, antlers or butterflies a constant feature of his creations, Alexander McQueen created designs that gave the animal world pride of place whilst his fashion and the imagery of his catwalk presentations were deeply influenced by Victorian sartorial and visual culture. In thi...

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Main Author: Ariane Fennetaux
Format: Article
Language:English
Published: Presses Universitaires de la Méditerranée 2018-12-01
Series:Cahiers Victoriens et Edouardiens
Subjects:
Online Access:https://journals.openedition.org/cve/4328
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author Ariane Fennetaux
author_facet Ariane Fennetaux
author_sort Ariane Fennetaux
collection DOAJ
description With fur, feathers, corals, antlers or butterflies a constant feature of his creations, Alexander McQueen created designs that gave the animal world pride of place whilst his fashion and the imagery of his catwalk presentations were deeply influenced by Victorian sartorial and visual culture. In this essay the Victorian inspiration of his retro-futuristic designs will be studied to illustrate the uncanny persistence of some of the animalistic fantasies of the Victorian era into the contemporary world. McQueen not only played with Victorian sartorial and animal references but also mixed and matched humans, animals and indeed machines and cross-fertilized them into single creatures thus borrowing from the Victorians not only their bestiaries but also, Frankenstein-like, sewed together parts of different animals to create monstrous hybrids, indeed discomforting animals.
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publisher Presses Universitaires de la Méditerranée
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series Cahiers Victoriens et Edouardiens
spelling doaj-art-9e38b2c4263647bbaf1d23aeb1fcecd12025-01-30T10:22:07ZengPresses Universitaires de la MéditerranéeCahiers Victoriens et Edouardiens0220-56102271-61492018-12-018810.4000/cve.4328Birds of a Feather: Alexander McQueen’s Victorian BestiaryAriane FennetauxWith fur, feathers, corals, antlers or butterflies a constant feature of his creations, Alexander McQueen created designs that gave the animal world pride of place whilst his fashion and the imagery of his catwalk presentations were deeply influenced by Victorian sartorial and visual culture. In this essay the Victorian inspiration of his retro-futuristic designs will be studied to illustrate the uncanny persistence of some of the animalistic fantasies of the Victorian era into the contemporary world. McQueen not only played with Victorian sartorial and animal references but also mixed and matched humans, animals and indeed machines and cross-fertilized them into single creatures thus borrowing from the Victorians not only their bestiaries but also, Frankenstein-like, sewed together parts of different animals to create monstrous hybrids, indeed discomforting animals.https://journals.openedition.org/cve/4328McQueen (Alexander)fashionanimal referencesmonstershybridizationVictorian fashion
spellingShingle Ariane Fennetaux
Birds of a Feather: Alexander McQueen’s Victorian Bestiary
Cahiers Victoriens et Edouardiens
McQueen (Alexander)
fashion
animal references
monsters
hybridization
Victorian fashion
title Birds of a Feather: Alexander McQueen’s Victorian Bestiary
title_full Birds of a Feather: Alexander McQueen’s Victorian Bestiary
title_fullStr Birds of a Feather: Alexander McQueen’s Victorian Bestiary
title_full_unstemmed Birds of a Feather: Alexander McQueen’s Victorian Bestiary
title_short Birds of a Feather: Alexander McQueen’s Victorian Bestiary
title_sort birds of a feather alexander mcqueen s victorian bestiary
topic McQueen (Alexander)
fashion
animal references
monsters
hybridization
Victorian fashion
url https://journals.openedition.org/cve/4328
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