Les natures du jardin d’installation
Through garden festivals such as the International Garden Festival (Reford Gardens), in Grand-Métis, Québec, professional landscapers and landscape architects have founded a new form of expression. As to knowing whether we are in the presence of a garden or a work of art, considering that, theoretic...
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| Format: | Article |
| Language: | fra |
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Agrocampus Angers, Ecole nationale supérieure du paysage, ENP Blois, ENSAP Bordeaux, ENSAP Lille
2011-01-01
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| Series: | Projets de Paysage |
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| Online Access: | https://journals.openedition.org/paysage/21310 |
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| _version_ | 1832096017893294080 |
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| author | Nicole Valois |
| author_facet | Nicole Valois |
| author_sort | Nicole Valois |
| collection | DOAJ |
| description | Through garden festivals such as the International Garden Festival (Reford Gardens), in Grand-Métis, Québec, professional landscapers and landscape architects have founded a new form of expression. As to knowing whether we are in the presence of a garden or a work of art, considering that, theoretically, each is examined differently, there is much to cover on the subject. This article addresses the meaning of installation gardens by using a model which opens on a multidimensional reading cross-referencing the disciplines of art, garden art, and landscape architecture. This is John Dixon Hunt’s theory of the gradation of three natures, specific to the study of Renaissance and Baroque gardens. The article examines two cases and shows how their creators use traditional garden or art processes to express a contemporary vision of nature and the environment, at the first and second degrees. |
| format | Article |
| id | doaj-art-9e38400653a846f4ab97fa850799ebf8 |
| institution | Kabale University |
| issn | 1969-6124 |
| language | fra |
| publishDate | 2011-01-01 |
| publisher | Agrocampus Angers, Ecole nationale supérieure du paysage, ENP Blois, ENSAP Bordeaux, ENSAP Lille |
| record_format | Article |
| series | Projets de Paysage |
| spelling | doaj-art-9e38400653a846f4ab97fa850799ebf82025-02-05T16:21:08ZfraAgrocampus Angers, Ecole nationale supérieure du paysage, ENP Blois, ENSAP Bordeaux, ENSAP LilleProjets de Paysage1969-61242011-01-01510.4000/paysage.21310Les natures du jardin d’installationNicole ValoisThrough garden festivals such as the International Garden Festival (Reford Gardens), in Grand-Métis, Québec, professional landscapers and landscape architects have founded a new form of expression. As to knowing whether we are in the presence of a garden or a work of art, considering that, theoretically, each is examined differently, there is much to cover on the subject. This article addresses the meaning of installation gardens by using a model which opens on a multidimensional reading cross-referencing the disciplines of art, garden art, and landscape architecture. This is John Dixon Hunt’s theory of the gradation of three natures, specific to the study of Renaissance and Baroque gardens. The article examines two cases and shows how their creators use traditional garden or art processes to express a contemporary vision of nature and the environment, at the first and second degrees.https://journals.openedition.org/paysage/21310landscape architectureinstallation gardensgarden festivalsthree naturesJohn Dixon Hunt |
| spellingShingle | Nicole Valois Les natures du jardin d’installation Projets de Paysage landscape architecture installation gardens garden festivals three natures John Dixon Hunt |
| title | Les natures du jardin d’installation |
| title_full | Les natures du jardin d’installation |
| title_fullStr | Les natures du jardin d’installation |
| title_full_unstemmed | Les natures du jardin d’installation |
| title_short | Les natures du jardin d’installation |
| title_sort | les natures du jardin d installation |
| topic | landscape architecture installation gardens garden festivals three natures John Dixon Hunt |
| url | https://journals.openedition.org/paysage/21310 |
| work_keys_str_mv | AT nicolevalois lesnaturesdujardindinstallation |