Charles Bukowski’s Online Reading Community: Safeguarding the Author’s Work by Building a Consensus

This article is a study of a lively online reading community focusing on mid-twentieth century Californian writer Charles Bukowski. For several years, this community of readers, whose behaviors and actions can be compared to that of fans, has tried to right the wrongs of an issue relating to the edi...

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Main Author: Amélie Macaud
Format: Article
Language:English
Published: Centre de Recherche "Texte et Critique de Texte" 2024-06-01
Series:Sillages Critiques
Subjects:
Online Access:https://journals.openedition.org/sillagescritiques/16025
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author Amélie Macaud
author_facet Amélie Macaud
author_sort Amélie Macaud
collection DOAJ
description This article is a study of a lively online reading community focusing on mid-twentieth century Californian writer Charles Bukowski. For several years, this community of readers, whose behaviors and actions can be compared to that of fans, has tried to right the wrongs of an issue relating to the editing of Charles Bukowski’s posthumous work. They share the belief that John Martin, Charles Bukowski’s former publisher, heavily edited his poems after his death, to the point of making them unrecognizable. An analysis of this forum – more particularly through a close reading of a fourteen-page long discussion thread – will therefore highlight how this community received the posthumous work of their author, slowly but surely managing to build a consensus through the forging of a common enemy.
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spelling doaj-art-9e21677aa3644ba38c761c89374a5be52025-01-30T13:47:51ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022024-06-013610.4000/120mqCharles Bukowski’s Online Reading Community: Safeguarding the Author’s Work by Building a ConsensusAmélie MacaudThis article is a study of a lively online reading community focusing on mid-twentieth century Californian writer Charles Bukowski. For several years, this community of readers, whose behaviors and actions can be compared to that of fans, has tried to right the wrongs of an issue relating to the editing of Charles Bukowski’s posthumous work. They share the belief that John Martin, Charles Bukowski’s former publisher, heavily edited his poems after his death, to the point of making them unrecognizable. An analysis of this forum – more particularly through a close reading of a fourteen-page long discussion thread – will therefore highlight how this community received the posthumous work of their author, slowly but surely managing to build a consensus through the forging of a common enemy.https://journals.openedition.org/sillagescritiques/16025Bukowski (Charles)Martin (John)Black Sparrow Pressreadershiponline forumspoetry editing
spellingShingle Amélie Macaud
Charles Bukowski’s Online Reading Community: Safeguarding the Author’s Work by Building a Consensus
Sillages Critiques
Bukowski (Charles)
Martin (John)
Black Sparrow Press
readership
online forums
poetry editing
title Charles Bukowski’s Online Reading Community: Safeguarding the Author’s Work by Building a Consensus
title_full Charles Bukowski’s Online Reading Community: Safeguarding the Author’s Work by Building a Consensus
title_fullStr Charles Bukowski’s Online Reading Community: Safeguarding the Author’s Work by Building a Consensus
title_full_unstemmed Charles Bukowski’s Online Reading Community: Safeguarding the Author’s Work by Building a Consensus
title_short Charles Bukowski’s Online Reading Community: Safeguarding the Author’s Work by Building a Consensus
title_sort charles bukowski s online reading community safeguarding the author s work by building a consensus
topic Bukowski (Charles)
Martin (John)
Black Sparrow Press
readership
online forums
poetry editing
url https://journals.openedition.org/sillagescritiques/16025
work_keys_str_mv AT ameliemacaud charlesbukowskisonlinereadingcommunitysafeguardingtheauthorsworkbybuildingaconsensus