Fantômes de l’écrit chez Ralph Eugene Meatyard

Throughout his short career, American photographer Ralph Eugene Meatyard (1925-1972) incorporated into his pictures various physical manifestations of written signs, as well as traces mimicking the act of writing. Posters, graffiti, street signs, newspapers, fading painted letters appear as ghostly...

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Main Author: Jean-Marc Victor
Format: Article
Language:English
Published: Centre de Recherche "Texte et Critique de Texte" 2016-12-01
Series:Sillages Critiques
Subjects:
Online Access:https://journals.openedition.org/sillagescritiques/4661
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author Jean-Marc Victor
author_facet Jean-Marc Victor
author_sort Jean-Marc Victor
collection DOAJ
description Throughout his short career, American photographer Ralph Eugene Meatyard (1925-1972) incorporated into his pictures various physical manifestations of written signs, as well as traces mimicking the act of writing. Posters, graffiti, street signs, newspapers, fading painted letters appear as ghostly texts in company with human beings (family, friends) with which they seem to engage in a mysterious relationship. Even his more abstract pictures recording calligraphic shapes drawn by light on water, or showing minimalistic natural forms (twigs, marks of frost) are reminiscent of some undecipherable handwriting. This paper proposes to analyze the complex modes of reception generated by such intersemiotic strategies on the part of a photographer who was strongly influenced by his vast knowledge of literature and many literary friendships formed in the context of the American South in the 1950s and 1960s.
format Article
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institution Kabale University
issn 1272-3819
1969-6302
language English
publishDate 2016-12-01
publisher Centre de Recherche "Texte et Critique de Texte"
record_format Article
series Sillages Critiques
spelling doaj-art-9d9024218c07426482b625ed101c51262025-01-30T13:48:08ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022016-12-012110.4000/sillagescritiques.4661Fantômes de l’écrit chez Ralph Eugene MeatyardJean-Marc VictorThroughout his short career, American photographer Ralph Eugene Meatyard (1925-1972) incorporated into his pictures various physical manifestations of written signs, as well as traces mimicking the act of writing. Posters, graffiti, street signs, newspapers, fading painted letters appear as ghostly texts in company with human beings (family, friends) with which they seem to engage in a mysterious relationship. Even his more abstract pictures recording calligraphic shapes drawn by light on water, or showing minimalistic natural forms (twigs, marks of frost) are reminiscent of some undecipherable handwriting. This paper proposes to analyze the complex modes of reception generated by such intersemiotic strategies on the part of a photographer who was strongly influenced by his vast knowledge of literature and many literary friendships formed in the context of the American South in the 1950s and 1960s.https://journals.openedition.org/sillagescritiques/4661Ralph Eugene Meatyardintersemioticity Light on WaterNotes on the Keyboard of the ImaginationZen TwigsAmerican photography 
spellingShingle Jean-Marc Victor
Fantômes de l’écrit chez Ralph Eugene Meatyard
Sillages Critiques
Ralph Eugene Meatyard
intersemioticity
 Light on Water
Notes on the Keyboard of the Imagination
Zen Twigs
American photography 
title Fantômes de l’écrit chez Ralph Eugene Meatyard
title_full Fantômes de l’écrit chez Ralph Eugene Meatyard
title_fullStr Fantômes de l’écrit chez Ralph Eugene Meatyard
title_full_unstemmed Fantômes de l’écrit chez Ralph Eugene Meatyard
title_short Fantômes de l’écrit chez Ralph Eugene Meatyard
title_sort fantomes de l ecrit chez ralph eugene meatyard
topic Ralph Eugene Meatyard
intersemioticity
 Light on Water
Notes on the Keyboard of the Imagination
Zen Twigs
American photography 
url https://journals.openedition.org/sillagescritiques/4661
work_keys_str_mv AT jeanmarcvictor fantomesdelecritchezralpheugenemeatyard