Impressionist Art in Private Clubs: The Case Study of the Union League Club (1886-1902)
Americans became acquainted with French Impressionism in the last decades of the nineteenth century. Surprisingly, private clubs were some of the first to endorse the movement, hosting impressionist exhibitions early on in the movement’s arrival to the United States. Using New York’s Union League Cl...
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| Format: | Article |
| Language: | English |
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Association Française d'Etudes Américaines
2019-05-01
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| Series: | Transatlantica |
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| Online Access: | https://journals.openedition.org/transatlantica/10610 |
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| author | Claire Hendren |
| author_facet | Claire Hendren |
| author_sort | Claire Hendren |
| collection | DOAJ |
| description | Americans became acquainted with French Impressionism in the last decades of the nineteenth century. Surprisingly, private clubs were some of the first to endorse the movement, hosting impressionist exhibitions early on in the movement’s arrival to the United States. Using New York’s Union League Club as a case study, this article highlights the motivations and impact, both aesthetic and political, of the club’s approval of Impressionism. Not only did impressionist art become a way for club members to assert their advanced taste in art, but the Union League Club’s early praise of Impressionism, this essay argues, was key to the country’s reception of the movement. |
| format | Article |
| id | doaj-art-9d5c95daf863434a8325d475e016baf6 |
| institution | Kabale University |
| issn | 1765-2766 |
| language | English |
| publishDate | 2019-05-01 |
| publisher | Association Française d'Etudes Américaines |
| record_format | Article |
| series | Transatlantica |
| spelling | doaj-art-9d5c95daf863434a8325d475e016baf62025-01-30T10:45:28ZengAssociation Française d'Etudes AméricainesTransatlantica1765-27662019-05-01210.4000/transatlantica.10610Impressionist Art in Private Clubs: The Case Study of the Union League Club (1886-1902)Claire HendrenAmericans became acquainted with French Impressionism in the last decades of the nineteenth century. Surprisingly, private clubs were some of the first to endorse the movement, hosting impressionist exhibitions early on in the movement’s arrival to the United States. Using New York’s Union League Club as a case study, this article highlights the motivations and impact, both aesthetic and political, of the club’s approval of Impressionism. Not only did impressionist art become a way for club members to assert their advanced taste in art, but the Union League Club’s early praise of Impressionism, this essay argues, was key to the country’s reception of the movement.https://journals.openedition.org/transatlantica/10610Gilded Agepaintingart historytransnational circulationsGentlemen’s clubsImpressionism |
| spellingShingle | Claire Hendren Impressionist Art in Private Clubs: The Case Study of the Union League Club (1886-1902) Transatlantica Gilded Age painting art history transnational circulations Gentlemen’s clubs Impressionism |
| title | Impressionist Art in Private Clubs: The Case Study of the Union League Club (1886-1902) |
| title_full | Impressionist Art in Private Clubs: The Case Study of the Union League Club (1886-1902) |
| title_fullStr | Impressionist Art in Private Clubs: The Case Study of the Union League Club (1886-1902) |
| title_full_unstemmed | Impressionist Art in Private Clubs: The Case Study of the Union League Club (1886-1902) |
| title_short | Impressionist Art in Private Clubs: The Case Study of the Union League Club (1886-1902) |
| title_sort | impressionist art in private clubs the case study of the union league club 1886 1902 |
| topic | Gilded Age painting art history transnational circulations Gentlemen’s clubs Impressionism |
| url | https://journals.openedition.org/transatlantica/10610 |
| work_keys_str_mv | AT clairehendren impressionistartinprivateclubsthecasestudyoftheunionleagueclub18861902 |