Код-«мусор» – кривой почерк – опечатка: несовершенство как литературный приём в цифровой эре
Code “garbage” - crooked handwriting - typo: Imperfection as a literary device in the digital age In this digitized age, we witness a transnational interest in the ‘aesthetics of imperfection’ – aesthetic gestures that foreground shortcomings, mistakes, and flaws. Blockbusters shot with cheap cam...
Saved in:
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | deu |
| Published: |
Universität Trier
2024-10-01
|
| Series: | Internationale Zeitschrift für Kulturkomparatistik |
| Subjects: | |
| Online Access: | https://136.199.34.71/index.php/izfk/article/view/169 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| _version_ | 1832542670535262208 |
|---|---|
| author | Ellen Rutten |
| author_facet | Ellen Rutten |
| author_sort | Ellen Rutten |
| collection | DOAJ |
| description |
Code “garbage” - crooked handwriting - typo: Imperfection as a literary device in the digital age
In this digitized age, we witness a transnational interest in the ‘aesthetics of imperfection’ – aesthetic gestures that foreground shortcomings, mistakes, and flaws. Blockbusters shot with cheap cameras, trash fashion, consciously blurry photos, glitch music: for the cultural producers and consumers of these and other aesthetic practices, the unpolished object is not a taboo but rather an asset or a hallmark of sincerity, authenticity, and other positive values. With the help of existing scholarship, in this article, I will study and compare the writings of three Russian poets/artists: Vera Khlebnikova, Vera Pavlova, and Linor Goralik. Each uses conceptual as well as formal, grammatical, and/or stylistic imperfections as an aesthetic device. The aim of my analysis is to juxtapose and historically contextualize the social anxieties that inform these and other present-day creative practices that foreground the imperfect.
|
| format | Article |
| id | doaj-art-9c297b1b9f8f4f0c84cb45083981e598 |
| institution | Kabale University |
| issn | 2698-492X 2698-4938 |
| language | deu |
| publishDate | 2024-10-01 |
| publisher | Universität Trier |
| record_format | Article |
| series | Internationale Zeitschrift für Kulturkomparatistik |
| spelling | doaj-art-9c297b1b9f8f4f0c84cb45083981e5982025-02-03T20:09:05ZdeuUniversität TrierInternationale Zeitschrift für Kulturkomparatistik2698-492X2698-49382024-10-0112Код-«мусор» – кривой почерк – опечатка: несовершенство как литературный приём в цифровой эреEllen Rutten Code “garbage” - crooked handwriting - typo: Imperfection as a literary device in the digital age In this digitized age, we witness a transnational interest in the ‘aesthetics of imperfection’ – aesthetic gestures that foreground shortcomings, mistakes, and flaws. Blockbusters shot with cheap cameras, trash fashion, consciously blurry photos, glitch music: for the cultural producers and consumers of these and other aesthetic practices, the unpolished object is not a taboo but rather an asset or a hallmark of sincerity, authenticity, and other positive values. With the help of existing scholarship, in this article, I will study and compare the writings of three Russian poets/artists: Vera Khlebnikova, Vera Pavlova, and Linor Goralik. Each uses conceptual as well as formal, grammatical, and/or stylistic imperfections as an aesthetic device. The aim of my analysis is to juxtapose and historically contextualize the social anxieties that inform these and other present-day creative practices that foreground the imperfect. https://136.199.34.71/index.php/izfk/article/view/169imperfectiondigitizationaestheticsliteratureKhlebnikovaPavlova |
| spellingShingle | Ellen Rutten Код-«мусор» – кривой почерк – опечатка: несовершенство как литературный приём в цифровой эре Internationale Zeitschrift für Kulturkomparatistik imperfection digitization aesthetics literature Khlebnikova Pavlova |
| title | Код-«мусор» – кривой почерк – опечатка: несовершенство как литературный приём в цифровой эре |
| title_full | Код-«мусор» – кривой почерк – опечатка: несовершенство как литературный приём в цифровой эре |
| title_fullStr | Код-«мусор» – кривой почерк – опечатка: несовершенство как литературный приём в цифровой эре |
| title_full_unstemmed | Код-«мусор» – кривой почерк – опечатка: несовершенство как литературный приём в цифровой эре |
| title_short | Код-«мусор» – кривой почерк – опечатка: несовершенство как литературный приём в цифровой эре |
| title_sort | код мусор кривой почерк опечатка несовершенство как литературный приём в цифровой эре |
| topic | imperfection digitization aesthetics literature Khlebnikova Pavlova |
| url | https://136.199.34.71/index.php/izfk/article/view/169 |
| work_keys_str_mv | AT ellenrutten kodmusorkrivojpočerkopečatkanesoveršenstvokakliteraturnyjpriëmvcifrovojére |