Retourner à Tara. Revoir Gone With the Wind (réal. Victor Fleming, 1939)
Gone With the Wind’s filmic afterlife seems to belong to Gone With the Wind itself—one reason being the number of reeditions and restorations of the film, as well as its own narrative structure that invite viewers to watch the film again and possibly reevaluate it. Based on studies about re-reading...
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| Format: | Article |
| Language: | English |
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Association Française d'Etudes Américaines
2020-07-01
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| Series: | Transatlantica |
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| Online Access: | https://journals.openedition.org/transatlantica/14111 |
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| author | Sarah Hatchuel |
| author_facet | Sarah Hatchuel |
| author_sort | Sarah Hatchuel |
| collection | DOAJ |
| description | Gone With the Wind’s filmic afterlife seems to belong to Gone With the Wind itself—one reason being the number of reeditions and restorations of the film, as well as its own narrative structure that invite viewers to watch the film again and possibly reevaluate it. Based on studies about re-reading and Stanley Cavell’s reflections on the comedy of remarriage, but also on my own memories of seeing the film repeatedly, this essay will attempt to understand the reasons for this general re-viewing of Gone With the Wind. |
| format | Article |
| id | doaj-art-9b97f7db3bdd4d238ede8d77f9116581 |
| institution | Kabale University |
| issn | 1765-2766 |
| language | English |
| publishDate | 2020-07-01 |
| publisher | Association Française d'Etudes Américaines |
| record_format | Article |
| series | Transatlantica |
| spelling | doaj-art-9b97f7db3bdd4d238ede8d77f91165812025-01-30T10:43:44ZengAssociation Française d'Etudes AméricainesTransatlantica1765-27662020-07-01110.4000/transatlantica.14111Retourner à Tara. Revoir Gone With the Wind (réal. Victor Fleming, 1939)Sarah HatchuelGone With the Wind’s filmic afterlife seems to belong to Gone With the Wind itself—one reason being the number of reeditions and restorations of the film, as well as its own narrative structure that invite viewers to watch the film again and possibly reevaluate it. Based on studies about re-reading and Stanley Cavell’s reflections on the comedy of remarriage, but also on my own memories of seeing the film repeatedly, this essay will attempt to understand the reasons for this general re-viewing of Gone With the Wind.https://journals.openedition.org/transatlantica/14111Stanley CavellGone With the WindfilmrewatchingreissueDavid O. Selznick |
| spellingShingle | Sarah Hatchuel Retourner à Tara. Revoir Gone With the Wind (réal. Victor Fleming, 1939) Transatlantica Stanley Cavell Gone With the Wind film rewatching reissue David O. Selznick |
| title | Retourner à Tara. Revoir Gone With the Wind (réal. Victor Fleming, 1939) |
| title_full | Retourner à Tara. Revoir Gone With the Wind (réal. Victor Fleming, 1939) |
| title_fullStr | Retourner à Tara. Revoir Gone With the Wind (réal. Victor Fleming, 1939) |
| title_full_unstemmed | Retourner à Tara. Revoir Gone With the Wind (réal. Victor Fleming, 1939) |
| title_short | Retourner à Tara. Revoir Gone With the Wind (réal. Victor Fleming, 1939) |
| title_sort | retourner a tara revoir gone with the wind real victor fleming 1939 |
| topic | Stanley Cavell Gone With the Wind film rewatching reissue David O. Selznick |
| url | https://journals.openedition.org/transatlantica/14111 |
| work_keys_str_mv | AT sarahhatchuel retourneratararevoirgonewiththewindrealvictorfleming1939 |