La confidence théâtralisée dans les élégies de Marceline Desbordes-Valmore : le cas d'une écriture de l'hybridation générique, entre poésie et théâtre
this article aims both at studying the case of a hybrid literary writing between poetry and drama and at studying the pattern of confidence which can be found in some elegies by the poetess Marceline Desbordes-Valmore. Like this double title, between linguistic field and literary field, it is about...
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| Format: | Article |
| Language: | English |
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Cercle linguistique du Centre et de l'Ouest - CerLICO
2016-06-01
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| Series: | Corela |
| Subjects: | |
| Online Access: | https://journals.openedition.org/corela/4576 |
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| Summary: | this article aims both at studying the case of a hybrid literary writing between poetry and drama and at studying the pattern of confidence which can be found in some elegies by the poetess Marceline Desbordes-Valmore. Like this double title, between linguistic field and literary field, it is about linking together these two fields from an inter-disciplinary viewpoint. Confidence will be dealt with from stylistic, semantic and pragmatic-enunciative viewpoints that must be united in order to appropriate again the analysis of literary discourse, henceforth referred to as ALD (Maingueneau, Amossy, Adam, Rastier, etc) and to understand how elements and drama processes introduced in some poems endow them with theatricality, a theatricality which contributes to the renewal of the elegiac genre at a turning point of French poetry. |
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| ISSN: | 1638-573X |