La figure de la comparaison chez Flaubert

We will show the pregnant and nodal character of the image comparison in Flaubert’s stylistics, by observing in succession: the nature of the personal relationship the writer had with this figure, the way it functions in the work and, finally, the critical reception of Flaubert’s comparisons. The ev...

Full description

Saved in:
Bibliographic Details
Main Author: Nathalie Petibon
Format: Article
Language:fra
Published: Institut des Textes & Manuscrits Modernes (ITEM) 2014-10-01
Series:Flaubert: Revue Critique et Génétique
Subjects:
Online Access:https://journals.openedition.org/flaubert/2279
Tags: Add Tag
No Tags, Be the first to tag this record!
_version_ 1832095790926921728
author Nathalie Petibon
author_facet Nathalie Petibon
author_sort Nathalie Petibon
collection DOAJ
description We will show the pregnant and nodal character of the image comparison in Flaubert’s stylistics, by observing in succession: the nature of the personal relationship the writer had with this figure, the way it functions in the work and, finally, the critical reception of Flaubert’s comparisons. The evidence shows that, for Flaubert, comparisons constitute both an ironic perspective and a poetic frame.
format Article
id doaj-art-9997553812d74e9095667f7879e05252
institution Kabale University
issn 1969-6191
language fra
publishDate 2014-10-01
publisher Institut des Textes & Manuscrits Modernes (ITEM)
record_format Article
series Flaubert: Revue Critique et Génétique
spelling doaj-art-9997553812d74e9095667f7879e052522025-02-05T16:29:40ZfraInstitut des Textes & Manuscrits Modernes (ITEM)Flaubert: Revue Critique et Génétique1969-61912014-10-011110.4000/flaubert.2279La figure de la comparaison chez FlaubertNathalie PetibonWe will show the pregnant and nodal character of the image comparison in Flaubert’s stylistics, by observing in succession: the nature of the personal relationship the writer had with this figure, the way it functions in the work and, finally, the critical reception of Flaubert’s comparisons. The evidence shows that, for Flaubert, comparisons constitute both an ironic perspective and a poetic frame.https://journals.openedition.org/flaubert/2279Madame Bovarypoétiquestyleimagecomparaisonmétaphore
spellingShingle Nathalie Petibon
La figure de la comparaison chez Flaubert
Flaubert: Revue Critique et Génétique
Madame Bovary
poétique
style
image
comparaison
métaphore
title La figure de la comparaison chez Flaubert
title_full La figure de la comparaison chez Flaubert
title_fullStr La figure de la comparaison chez Flaubert
title_full_unstemmed La figure de la comparaison chez Flaubert
title_short La figure de la comparaison chez Flaubert
title_sort la figure de la comparaison chez flaubert
topic Madame Bovary
poétique
style
image
comparaison
métaphore
url https://journals.openedition.org/flaubert/2279
work_keys_str_mv AT nathaliepetibon lafiguredelacomparaisonchezflaubert