« Quelque chose de rouge » : l’esthétique des tableaux vivants dans Salammbô
In Salammbô, Flaubert’s writing is generated by a principle analogous to the tableau vivant, pulling the novel in the direction of the visual and spectacular arts. A cultural practice which reached its peak popularity during the Second Empire, the tableau vivant intersects theater, painting, photogr...
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Format: | Article |
Language: | fra |
Published: |
Institut des Textes & Manuscrits Modernes (ITEM)
2016-06-01
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Series: | Flaubert: Revue Critique et Génétique |
Subjects: | |
Online Access: | https://journals.openedition.org/flaubert/2529 |
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