Dai Salons alle Esposizioni, alle aste di New York nel XIX secolo. Il caso di Ignacio León y Escosura
The role played by salons, exhibitions, art dealers and critics in the dissemination of a nostalgic taste has recently begun to be examined. Paris, London and Rome were cities where every year operators of all kinds imported, restored, produced, sold or exported thousands of works, ancient, modern...
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| Format: | Article |
| Language: | deu |
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Museo Nacional del Prado
2021-11-01
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| Series: | Boletín del Museo del Prado |
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| Online Access: | https://www.museodelprado.es/aprende/boletin/dai-salons-alle-esposizioni-alle-aste-di-new-york/cfdf4cde-9de4-23e6-9ab2-75bc3a46634e |
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| Summary: | The role played by salons, exhibitions, art dealers and critics in the dissemination of a nostalgic taste has recently begun
to be examined. Paris, London and Rome were cities where every year operators of all kinds imported, restored, produced, sold or
exported thousands of works, ancient, modern and contemporary, to Europe and the dynamic cities of the United States, including
fake masterpieces meant for the most important collectors. In this article, we focus on the activity of the painter from Oviedo Ignacio León y Escosura, his connections with art dealers and his role as a disseminator of Spanish art. Furthermore, it corrects some
errors related to his work and to the forge of fake artworks due to his connection with the Marcy family. |
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| ISSN: | 0210-8143 2952-0630 |