Go Back!: Reclaiming Indigenous Visibility in Literary, Cultural, and Environmental Spaces of Pakistan

This paper examines the nexus of visibility and violence in the context of indigenous communities of Pakistan, with a focus on the literary works of Mustansar Hussein Tarar. Through a critical analysis of Tarar’s texts, this study reveals how his narratives subvert the dominant autochthonous discou...

Full description

Saved in:
Bibliographic Details
Main Author: Anam Feroz
Format: Article
Language:English
Published: National University of Modern Languages (NUML), Islamabad 2024-12-01
Series:NUML Journal of Critical Inquiry
Subjects:
Online Access:https://jci.numl.edu.pk/index.php/jci/article/view/290
Tags: Add Tag
No Tags, Be the first to tag this record!
_version_ 1832591246708703232
author Anam Feroz
author_facet Anam Feroz
author_sort Anam Feroz
collection DOAJ
description This paper examines the nexus of visibility and violence in the context of indigenous communities of Pakistan, with a focus on the literary works of Mustansar Hussein Tarar. Through a critical analysis of Tarar’s texts, this study reveals how his narratives subvert the dominant autochthonous discourses (surrounding the sociocultural and geophysical spaces of the Indus Valley), reclaim visibility for the indigenous communities, and thus enable their survival. The intersection of literature, culture, and environment has already been explored by many scholars (De Loughery 2015; Mukherjee 2010; Nixon 2011; Huggan 2004), with some discussions also incorporating the perspectives of indigenous peoples (Dove 2006). By drawing upon the nexus of visibility and violence in the context of environmental spaces discussed by Rob Nixon (2011), this research demonstrates how Tarar’s works challenge representational bias against the visibility of indigenous communities and shows slow violence inflicted upon them, thereby mitigating the detrimental effects of centuries of marginalization. To illustrate this argument, I have chosen two novels by Mustansar Hussain Tarar, Sorrows of Sarasvati originally published as Bahao, and Love in the Shade of Death originally published as Qurbat e Marg Mein Muhabbat. Through these works, Tarar traverses both temporally (from the Indus Valley civilization to the present time) and spatially (from Sarasvati to Sindhu), thereby reprobating the current debates of belonging, reimagining the past and present of the Indus Valley through an indigenous lens, and reclaiming visibility for indigenous people within literary, cultural, and environmental spaces in Pakistan. This study contributes to the ongoing eco-critical debates by highlighting the significance of indigenous literary narratives in imagining alternative spatialities.
format Article
id doaj-art-960ddbdfc92e410c9f86e870384301b9
institution Kabale University
issn 2789-4665
language English
publishDate 2024-12-01
publisher National University of Modern Languages (NUML), Islamabad
record_format Article
series NUML Journal of Critical Inquiry
spelling doaj-art-960ddbdfc92e410c9f86e870384301b92025-01-22T15:36:24ZengNational University of Modern Languages (NUML), IslamabadNUML Journal of Critical Inquiry2789-46652024-12-0122II10.52015/numljci.v22iII.290Go Back!: Reclaiming Indigenous Visibility in Literary, Cultural, and Environmental Spaces of PakistanAnam Feroz0PhD Scholar at the English department at International Islamic University Islamabad This paper examines the nexus of visibility and violence in the context of indigenous communities of Pakistan, with a focus on the literary works of Mustansar Hussein Tarar. Through a critical analysis of Tarar’s texts, this study reveals how his narratives subvert the dominant autochthonous discourses (surrounding the sociocultural and geophysical spaces of the Indus Valley), reclaim visibility for the indigenous communities, and thus enable their survival. The intersection of literature, culture, and environment has already been explored by many scholars (De Loughery 2015; Mukherjee 2010; Nixon 2011; Huggan 2004), with some discussions also incorporating the perspectives of indigenous peoples (Dove 2006). By drawing upon the nexus of visibility and violence in the context of environmental spaces discussed by Rob Nixon (2011), this research demonstrates how Tarar’s works challenge representational bias against the visibility of indigenous communities and shows slow violence inflicted upon them, thereby mitigating the detrimental effects of centuries of marginalization. To illustrate this argument, I have chosen two novels by Mustansar Hussain Tarar, Sorrows of Sarasvati originally published as Bahao, and Love in the Shade of Death originally published as Qurbat e Marg Mein Muhabbat. Through these works, Tarar traverses both temporally (from the Indus Valley civilization to the present time) and spatially (from Sarasvati to Sindhu), thereby reprobating the current debates of belonging, reimagining the past and present of the Indus Valley through an indigenous lens, and reclaiming visibility for indigenous people within literary, cultural, and environmental spaces in Pakistan. This study contributes to the ongoing eco-critical debates by highlighting the significance of indigenous literary narratives in imagining alternative spatialities. https://jci.numl.edu.pk/index.php/jci/article/view/290IndigenousEnvironmentVisibilityViolencePakistani Literature
spellingShingle Anam Feroz
Go Back!: Reclaiming Indigenous Visibility in Literary, Cultural, and Environmental Spaces of Pakistan
NUML Journal of Critical Inquiry
Indigenous
Environment
Visibility
Violence
Pakistani Literature
title Go Back!: Reclaiming Indigenous Visibility in Literary, Cultural, and Environmental Spaces of Pakistan
title_full Go Back!: Reclaiming Indigenous Visibility in Literary, Cultural, and Environmental Spaces of Pakistan
title_fullStr Go Back!: Reclaiming Indigenous Visibility in Literary, Cultural, and Environmental Spaces of Pakistan
title_full_unstemmed Go Back!: Reclaiming Indigenous Visibility in Literary, Cultural, and Environmental Spaces of Pakistan
title_short Go Back!: Reclaiming Indigenous Visibility in Literary, Cultural, and Environmental Spaces of Pakistan
title_sort go back reclaiming indigenous visibility in literary cultural and environmental spaces of pakistan
topic Indigenous
Environment
Visibility
Violence
Pakistani Literature
url https://jci.numl.edu.pk/index.php/jci/article/view/290
work_keys_str_mv AT anamferoz gobackreclaimingindigenousvisibilityinliteraryculturalandenvironmentalspacesofpakistan