Un-Haunted House : Spirits, Solid Citizens, and Babbitt

By considering Sinclair Lewis’s 1922 novel, Babbitt, this essay examines the continuum between the paranormal and the normal, the supernatural and the natural. The lesson of Babbitt reveals how the occult is absorbed under the aegis of the normal, the regular, the conventional. By reading the novel...

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Main Author: Russ Castronovo
Format: Article
Language:English
Published: Association Française d'Etudes Américaines 2013-05-01
Series:Transatlantica
Online Access:https://journals.openedition.org/transatlantica/5989
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author Russ Castronovo
author_facet Russ Castronovo
author_sort Russ Castronovo
collection DOAJ
description By considering Sinclair Lewis’s 1922 novel, Babbitt, this essay examines the continuum between the paranormal and the normal, the supernatural and the natural. The lesson of Babbitt reveals how the occult is absorbed under the aegis of the normal, the regular, the conventional. By reading the novel in conjunction with other texts about spiritualism written in the early twentieth century, we can see how the potentially alternate reality glimpsed in trances, séances, or other spiritualist practice is readily brought into alignment with the singular reality of conventional middle-class existence. The middle-class home is decidedly un-haunted, resistant to notions that the “hidden self,” to borrow a phrase from William James, has any gothic recesses. The result is that the utopian longings associated with spiritualism are reconciled with the biography of the “solid citizen,” which, incidentally, was the working title for Babbitt.
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spelling doaj-art-94230ecc20134b38a39b8e1b5bc2e90f2025-01-30T10:47:36ZengAssociation Française d'Etudes AméricainesTransatlantica1765-27662013-05-01110.4000/transatlantica.5989Un-Haunted House : Spirits, Solid Citizens, and BabbittRuss CastronovoBy considering Sinclair Lewis’s 1922 novel, Babbitt, this essay examines the continuum between the paranormal and the normal, the supernatural and the natural. The lesson of Babbitt reveals how the occult is absorbed under the aegis of the normal, the regular, the conventional. By reading the novel in conjunction with other texts about spiritualism written in the early twentieth century, we can see how the potentially alternate reality glimpsed in trances, séances, or other spiritualist practice is readily brought into alignment with the singular reality of conventional middle-class existence. The middle-class home is decidedly un-haunted, resistant to notions that the “hidden self,” to borrow a phrase from William James, has any gothic recesses. The result is that the utopian longings associated with spiritualism are reconciled with the biography of the “solid citizen,” which, incidentally, was the working title for Babbitt.https://journals.openedition.org/transatlantica/5989
spellingShingle Russ Castronovo
Un-Haunted House : Spirits, Solid Citizens, and Babbitt
Transatlantica
title Un-Haunted House : Spirits, Solid Citizens, and Babbitt
title_full Un-Haunted House : Spirits, Solid Citizens, and Babbitt
title_fullStr Un-Haunted House : Spirits, Solid Citizens, and Babbitt
title_full_unstemmed Un-Haunted House : Spirits, Solid Citizens, and Babbitt
title_short Un-Haunted House : Spirits, Solid Citizens, and Babbitt
title_sort un haunted house spirits solid citizens and babbitt
url https://journals.openedition.org/transatlantica/5989
work_keys_str_mv AT russcastronovo unhauntedhousespiritssolidcitizensandbabbitt