“What is good for animals is good for men” : animalité et abject dans Found in the Ground de Howard Barker
This article analyses the analogies between Howard Barker's theatre of Catastrophe and the abject as defined by Julia Kristeva in Powers of Horrors through the study of Found in the Ground, a play where there are many animals on the stage. The play explores the contamination of humanity by anim...
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| Format: | Article |
| Language: | English |
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Centre de Recherche "Texte et Critique de Texte"
2016-07-01
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| Series: | Sillages Critiques |
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| Online Access: | https://journals.openedition.org/sillagescritiques/4476 |
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| _version_ | 1832578554288668672 |
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| author | Eléonore Obis |
| author_facet | Eléonore Obis |
| author_sort | Eléonore Obis |
| collection | DOAJ |
| description | This article analyses the analogies between Howard Barker's theatre of Catastrophe and the abject as defined by Julia Kristeva in Powers of Horrors through the study of Found in the Ground, a play where there are many animals on the stage. The play explores the contamination of humanity by animality and can be defined as a « catastrophic » speculation on the Holocaust, making the reader and spectator experience the absence of meaning or « absolute meaninglessness ». Barker questions humanism and its discourse so as to redefine conjointly humanity and animality. |
| format | Article |
| id | doaj-art-93537aad6c8842f09648d59ed5db744a |
| institution | Kabale University |
| issn | 1272-3819 1969-6302 |
| language | English |
| publishDate | 2016-07-01 |
| publisher | Centre de Recherche "Texte et Critique de Texte" |
| record_format | Article |
| series | Sillages Critiques |
| spelling | doaj-art-93537aad6c8842f09648d59ed5db744a2025-01-30T13:47:44ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022016-07-012010.4000/sillagescritiques.4476“What is good for animals is good for men” : animalité et abject dans Found in the Ground de Howard BarkerEléonore ObisThis article analyses the analogies between Howard Barker's theatre of Catastrophe and the abject as defined by Julia Kristeva in Powers of Horrors through the study of Found in the Ground, a play where there are many animals on the stage. The play explores the contamination of humanity by animality and can be defined as a « catastrophic » speculation on the Holocaust, making the reader and spectator experience the absence of meaning or « absolute meaninglessness ». Barker questions humanism and its discourse so as to redefine conjointly humanity and animality.https://journals.openedition.org/sillagescritiques/4476DerridaHoward BarkerAdornoanimalityFound in the Groundhumanity |
| spellingShingle | Eléonore Obis “What is good for animals is good for men” : animalité et abject dans Found in the Ground de Howard Barker Sillages Critiques Derrida Howard Barker Adorno animality Found in the Ground humanity |
| title | “What is good for animals is good for men” : animalité et abject dans Found in the Ground de Howard Barker |
| title_full | “What is good for animals is good for men” : animalité et abject dans Found in the Ground de Howard Barker |
| title_fullStr | “What is good for animals is good for men” : animalité et abject dans Found in the Ground de Howard Barker |
| title_full_unstemmed | “What is good for animals is good for men” : animalité et abject dans Found in the Ground de Howard Barker |
| title_short | “What is good for animals is good for men” : animalité et abject dans Found in the Ground de Howard Barker |
| title_sort | what is good for animals is good for men animalite et abject dans found in the ground de howard barker |
| topic | Derrida Howard Barker Adorno animality Found in the Ground humanity |
| url | https://journals.openedition.org/sillagescritiques/4476 |
| work_keys_str_mv | AT eleonoreobis whatisgoodforanimalsisgoodformenanimaliteetabjectdansfoundinthegrounddehowardbarker |