Uno, nessuno e centomila : dépersonnalisation de l’écriture et perte d’identité
This Analyzing Luigi Pirandello’s last novel, Uno, nessuno e centomila (1926), we will consider the reconfiguration of the character that operates Pirandellian fiction, in connection with the withdrawal of the narrative instance inaugurated by the Flaubertian text. Depersonalization with Flaubert, l...
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| Format: | Article |
| Language: | fra |
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Institut des Textes & Manuscrits Modernes (ITEM)
2022-06-01
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| Series: | Flaubert: Revue Critique et Génétique |
| Online Access: | https://journals.openedition.org/flaubert/4483 |
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| Summary: | This Analyzing Luigi Pirandello’s last novel, Uno, nessuno e centomila (1926), we will consider the reconfiguration of the character that operates Pirandellian fiction, in connection with the withdrawal of the narrative instance inaugurated by the Flaubertian text. Depersonalization with Flaubert, loss of identity with Pirandello, the narrative operates a resorption which, at the same time as it seals a collapse of being and its certainties, constitutes a new modality of restitution of reality. The obliteration of the narrator like the diffraction of the character are the manifestations of a sensitive apprehension of the world, which diffuses and multiplies its perception, while allowing its sharing. |
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| ISSN: | 1969-6191 |