Parasites of the Glory
Conservation as a basic task of the museum rests on the recognition of artworks. However, within the domain of contemporary art, the recognition process is often demanding and controversial, demonstrating a performative and reflexive effect. As a crucial action through which Conservation defines its...
Saved in:
Main Author: | |
---|---|
Format: | Article |
Language: | English |
Published: |
Association CeROArt
2014-01-01
|
Series: | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
Subjects: | |
Online Access: | https://journals.openedition.org/ceroart/3768 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
_version_ | 1832578120153038848 |
---|---|
author | Paolo Martore |
author_facet | Paolo Martore |
author_sort | Paolo Martore |
collection | DOAJ |
description | Conservation as a basic task of the museum rests on the recognition of artworks. However, within the domain of contemporary art, the recognition process is often demanding and controversial, demonstrating a performative and reflexive effect. As a crucial action through which Conservation defines itself by defining the artwork’s values, recognition is the moment when the neglected ideological facet of the museum’s mission comes to light. |
format | Article |
id | doaj-art-90a9cf0872b9497c9258b8c04706a2c4 |
institution | Kabale University |
issn | 1784-5092 |
language | English |
publishDate | 2014-01-01 |
publisher | Association CeROArt |
record_format | Article |
series | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
spelling | doaj-art-90a9cf0872b9497c9258b8c04706a2c42025-01-30T14:14:21ZengAssociation CeROArtCeROArt : Conservation, Exposition, Restauration d'Objets d'Art1784-50922014-01-01910.4000/ceroart.3768Parasites of the GloryPaolo MartoreConservation as a basic task of the museum rests on the recognition of artworks. However, within the domain of contemporary art, the recognition process is often demanding and controversial, demonstrating a performative and reflexive effect. As a crucial action through which Conservation defines itself by defining the artwork’s values, recognition is the moment when the neglected ideological facet of the museum’s mission comes to light.https://journals.openedition.org/ceroart/3768contemporary artethicsrecognitionideology |
spellingShingle | Paolo Martore Parasites of the Glory CeROArt : Conservation, Exposition, Restauration d'Objets d'Art contemporary art ethics recognition ideology |
title | Parasites of the Glory |
title_full | Parasites of the Glory |
title_fullStr | Parasites of the Glory |
title_full_unstemmed | Parasites of the Glory |
title_short | Parasites of the Glory |
title_sort | parasites of the glory |
topic | contemporary art ethics recognition ideology |
url | https://journals.openedition.org/ceroart/3768 |
work_keys_str_mv | AT paolomartore parasitesoftheglory |