La Nouvelle-Orléans au XIXe siècle : femmes de couleur libres, femmes de pouvoir ?

This article dwells on the emergence of a few feminine figures in the studies conducted by historians of Louisiana since the 1980s and examines the relative invisibility of women in the early historiography of New Orleans’s antebellum period (1800-1860). Surprisingly at first sight, those women are...

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Main Author: Nathalie Dessens
Format: Article
Language:English
Published: Presses Universitaires du Midi 2010-09-01
Series:Anglophonia
Subjects:
Online Access:https://journals.openedition.org/acs/2073
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author Nathalie Dessens
author_facet Nathalie Dessens
author_sort Nathalie Dessens
collection DOAJ
description This article dwells on the emergence of a few feminine figures in the studies conducted by historians of Louisiana since the 1980s and examines the relative invisibility of women in the early historiography of New Orleans’s antebellum period (1800-1860). Surprisingly at first sight, those women are almost all free Afro-Creole women. The object of the article is to explain the persistent—and even increased—celebrity of Marie Laveau, Henriette Delille, Juliette Gaudin, and Justine Couvent, as opposed to the silence surrounding their white counterparts of the same era. Concluding on the absence of "double jeopardy" in being black and a woman in nineteenth-century New Orleans, the article highlights Louisiana’s legal, social, economic, and cultural specificity in the antebellum South—and, more generally, in the nineteenth-century United States.
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spelling doaj-art-8f961b5065ab42baaad2ffb7130276832025-01-30T12:34:20ZengPresses Universitaires du MidiAnglophonia1278-33312427-04662010-09-012710711810.4000/caliban.2073La Nouvelle-Orléans au XIXe siècle : femmes de couleur libres, femmes de pouvoir ?Nathalie DessensThis article dwells on the emergence of a few feminine figures in the studies conducted by historians of Louisiana since the 1980s and examines the relative invisibility of women in the early historiography of New Orleans’s antebellum period (1800-1860). Surprisingly at first sight, those women are almost all free Afro-Creole women. The object of the article is to explain the persistent—and even increased—celebrity of Marie Laveau, Henriette Delille, Juliette Gaudin, and Justine Couvent, as opposed to the silence surrounding their white counterparts of the same era. Concluding on the absence of "double jeopardy" in being black and a woman in nineteenth-century New Orleans, the article highlights Louisiana’s legal, social, economic, and cultural specificity in the antebellum South—and, more generally, in the nineteenth-century United States.https://journals.openedition.org/acs/2073Nouvelle-OrléansCréoles de couleurMarie LaveauHenriette DelilleJuliette GaudinJustine Couvent
spellingShingle Nathalie Dessens
La Nouvelle-Orléans au XIXe siècle : femmes de couleur libres, femmes de pouvoir ?
Anglophonia
Nouvelle-Orléans
Créoles de couleur
Marie Laveau
Henriette Delille
Juliette Gaudin
Justine Couvent
title La Nouvelle-Orléans au XIXe siècle : femmes de couleur libres, femmes de pouvoir ?
title_full La Nouvelle-Orléans au XIXe siècle : femmes de couleur libres, femmes de pouvoir ?
title_fullStr La Nouvelle-Orléans au XIXe siècle : femmes de couleur libres, femmes de pouvoir ?
title_full_unstemmed La Nouvelle-Orléans au XIXe siècle : femmes de couleur libres, femmes de pouvoir ?
title_short La Nouvelle-Orléans au XIXe siècle : femmes de couleur libres, femmes de pouvoir ?
title_sort la nouvelle orleans au xixe siecle femmes de couleur libres femmes de pouvoir
topic Nouvelle-Orléans
Créoles de couleur
Marie Laveau
Henriette Delille
Juliette Gaudin
Justine Couvent
url https://journals.openedition.org/acs/2073
work_keys_str_mv AT nathaliedessens lanouvelleorleansauxixesieclefemmesdecouleurlibresfemmesdepouvoir