Warhol selon Avedon : le paradoxe en héritage ?
This paper links the iconographic tradition related to Saint Sebastian with Valerie Solanas’s « performance » as two visible legacies included in Warhol’s body as photographed by Avedon in his 1969 portrait entitled « Andy Warhol, Artist, New York City, 8/20/69 », in many ways a paradoxical portrait...
Saved in:
Main Author: | Véronique Béghain |
---|---|
Format: | Article |
Language: | English |
Published: |
Association Française d'Etudes Américaines
2015-03-01
|
Series: | Transatlantica |
Subjects: | |
Online Access: | https://journals.openedition.org/transatlantica/7067 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
The Author Inside: Celebrity Photography 1840‒1902
by: Audrey Doussot
Published: (2023-03-01) -
Spectres D’Andy Warhol
by: Catherine Bernard
Published: (2006-10-01) -
L’édification du gratte-ciel, motif du cinéma d’avant-garde américain
by: Barbara Turquier
Published: (2011-04-01) -
Limit Texts Mattering, 41 Tweets
by: Lance Olsen
Published: (2016-12-01) -
Book Interview: Post-Apartheid Same-Sex Sexualities: Restless Identities in Literary and Visual Culture, by Andy Carolin
by: Leila Hall, et al.
Published: (2021-06-01)