‘Absent and yet Somehow Present’: Idealized Landscapes and the Counter-historical Impulse in Contemporary Northern Irish Photography and Writing
This article explores how three artists are responding to the idealized landscape that is contemporary Northern Ireland. I argue that the rural/urban dichotomy which implicitly or explicitly forms a point of departure in the photographic collections of David Farrell’s Innocent Landscapes (2001) and...
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| Format: | Article |
| Language: | English |
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European Federation of Associations and Centres of Irish Studies
2017-03-01
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| Series: | Review of Irish Studies in Europe |
| Subjects: | |
| Online Access: | https://www.imageandnarrative.be/index.php/rise/article/view/1438 |
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