Les débuts de la fonte ornementale en France, de l’Empire à la monarchie de Juillet

The article touches on the early days of ornamental cast iron in France, from the Empire to the July Monarchy. Examining the actors and their models, it attempts to apprehend the dynamics of the new technique, from its difficult development to its boom years, by looking at it in the perspective of t...

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Main Author: Jean‑Paul Zitt
Format: Article
Language:fra
Published: École du Louvre 2012-09-01
Series:Les Cahiers de l'École du Louvre
Online Access:https://journals.openedition.org/cel/652
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author Jean‑Paul Zitt
author_facet Jean‑Paul Zitt
author_sort Jean‑Paul Zitt
collection DOAJ
description The article touches on the early days of ornamental cast iron in France, from the Empire to the July Monarchy. Examining the actors and their models, it attempts to apprehend the dynamics of the new technique, from its difficult development to its boom years, by looking at it in the perspective of the rapid social changes taking place. The singularity of the material, which combines strength, malleability and low cost, made it emblematic of the “mass‑ produced ornaments” proliferating in cities. Ornamental cast iron provoked strong criticism. Its legitimacy and “sincerity” were called into question in relation to wrought iron, bronze and stone, heralding the “art and industry” debates that would develop as the century progressed. And yet it made an essential contribution to the modernization of the city, and to the improvement and embellishment of the everyday lives of its inhabitants.
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publisher École du Louvre
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series Les Cahiers de l'École du Louvre
spelling doaj-art-8d9be210c26647f1a1be9481a19407512025-01-30T14:00:08ZfraÉcole du LouvreLes Cahiers de l'École du Louvre2262-208X2012-09-01110.4000/cel.652Les débuts de la fonte ornementale en France, de l’Empire à la monarchie de JuilletJean‑Paul ZittThe article touches on the early days of ornamental cast iron in France, from the Empire to the July Monarchy. Examining the actors and their models, it attempts to apprehend the dynamics of the new technique, from its difficult development to its boom years, by looking at it in the perspective of the rapid social changes taking place. The singularity of the material, which combines strength, malleability and low cost, made it emblematic of the “mass‑ produced ornaments” proliferating in cities. Ornamental cast iron provoked strong criticism. Its legitimacy and “sincerity” were called into question in relation to wrought iron, bronze and stone, heralding the “art and industry” debates that would develop as the century progressed. And yet it made an essential contribution to the modernization of the city, and to the improvement and embellishment of the everyday lives of its inhabitants.https://journals.openedition.org/cel/652
spellingShingle Jean‑Paul Zitt
Les débuts de la fonte ornementale en France, de l’Empire à la monarchie de Juillet
Les Cahiers de l'École du Louvre
title Les débuts de la fonte ornementale en France, de l’Empire à la monarchie de Juillet
title_full Les débuts de la fonte ornementale en France, de l’Empire à la monarchie de Juillet
title_fullStr Les débuts de la fonte ornementale en France, de l’Empire à la monarchie de Juillet
title_full_unstemmed Les débuts de la fonte ornementale en France, de l’Empire à la monarchie de Juillet
title_short Les débuts de la fonte ornementale en France, de l’Empire à la monarchie de Juillet
title_sort les debuts de la fonte ornementale en france de l empire a la monarchie de juillet
url https://journals.openedition.org/cel/652
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