Fiction et histoire dans Les Onze de Pierre Michon
Pierre Michon’s Les Onze offers itself to be read as both an imaginary life and a meditation on art and history. In this text, the story of a painter, François-Élie Corentin, is intertwined with that of the French Revolution. This fusion takes place through the description of a large painting, which...
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| Format: | Article |
| Language: | fra |
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Pléiade (EA 7338)
2013-10-01
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| Series: | Itinéraires |
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| Online Access: | https://journals.openedition.org/itineraires/821 |
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| _version_ | 1850129088196378624 |
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| author | Souad Yacoub Khlif |
| author_facet | Souad Yacoub Khlif |
| author_sort | Souad Yacoub Khlif |
| collection | DOAJ |
| description | Pierre Michon’s Les Onze offers itself to be read as both an imaginary life and a meditation on art and history. In this text, the story of a painter, François-Élie Corentin, is intertwined with that of the French Revolution. This fusion takes place through the description of a large painting, which would be exhibited in the Louvre, representing the eleven members of the Comité de salut public (Committee of Public Safety) during the reign of Terror. The reader is projected into a work of artistic fiction where the real and the imaginary coalesce vertiginously. Michon plays with fiction, risking its conventions and boundaries within a strategy of fake. |
| format | Article |
| id | doaj-art-8cbf60abca8a4bcf82d6e5e33dadc8a9 |
| institution | OA Journals |
| issn | 2427-920X |
| language | fra |
| publishDate | 2013-10-01 |
| publisher | Pléiade (EA 7338) |
| record_format | Article |
| series | Itinéraires |
| spelling | doaj-art-8cbf60abca8a4bcf82d6e5e33dadc8a92025-08-20T02:33:06ZfraPléiade (EA 7338)Itinéraires2427-920X2013-10-0120131839210.4000/itineraires.821Fiction et histoire dans Les Onze de Pierre MichonSouad Yacoub KhlifPierre Michon’s Les Onze offers itself to be read as both an imaginary life and a meditation on art and history. In this text, the story of a painter, François-Élie Corentin, is intertwined with that of the French Revolution. This fusion takes place through the description of a large painting, which would be exhibited in the Louvre, representing the eleven members of the Comité de salut public (Committee of Public Safety) during the reign of Terror. The reader is projected into a work of artistic fiction where the real and the imaginary coalesce vertiginously. Michon plays with fiction, risking its conventions and boundaries within a strategy of fake.https://journals.openedition.org/itineraires/821historyfictionstorybiographybiofiction |
| spellingShingle | Souad Yacoub Khlif Fiction et histoire dans Les Onze de Pierre Michon Itinéraires history fiction story biography biofiction |
| title | Fiction et histoire dans Les Onze de Pierre Michon |
| title_full | Fiction et histoire dans Les Onze de Pierre Michon |
| title_fullStr | Fiction et histoire dans Les Onze de Pierre Michon |
| title_full_unstemmed | Fiction et histoire dans Les Onze de Pierre Michon |
| title_short | Fiction et histoire dans Les Onze de Pierre Michon |
| title_sort | fiction et histoire dans les onze de pierre michon |
| topic | history fiction story biography biofiction |
| url | https://journals.openedition.org/itineraires/821 |
| work_keys_str_mv | AT souadyacoubkhlif fictionethistoiredanslesonzedepierremichon |