Ovids Metamorphosen als politische Dichtung gelesen

Is a reading of Ovid's Metamorphoses as political poetry a legitimate interpretative approach to this work? In order to answer this question, the relationship between ancient epic poetry and politics must first be analysed. On this basis, strong evidence can be found in the Metamorphoses that O...

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Main Author: Ulrich Schmitzer
Format: Article
Language:deu
Published: Université Lille-3 2024-12-01
Series:Dictynna
Subjects:
Online Access:https://journals.openedition.org/dictynna/3704
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author Ulrich Schmitzer
author_facet Ulrich Schmitzer
author_sort Ulrich Schmitzer
collection DOAJ
description Is a reading of Ovid's Metamorphoses as political poetry a legitimate interpretative approach to this work? In order to answer this question, the relationship between ancient epic poetry and politics must first be analysed. On this basis, strong evidence can be found in the Metamorphoses that Ovid demonstrates to the reader that the Metamorphoses can be read in this way, without exhausting itself one-dimensionally in this interpretation, through the targeted integration of political themes at the beginning of the work (Lycaon, Daphne, the castle of the sun in the Phaethon story), which becomes a closed framework through the inclusion of Augustus at the end. Politics is one of the equally important themes of the Metamorphoses as a "total epic"; it is simultaneously relativised and eludes a clear definition through the targeted use of ambivalence: The Metamorphoses are both loyal and subversive, the decisive factor is not Augustus, but the poet himself, who controls the text.
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institution Kabale University
issn 1969-4202
1765-3142
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spelling doaj-art-8ac4bf44453540f788986efe641081b22025-01-30T14:29:02ZdeuUniversité Lille-3Dictynna1969-42021765-31422024-12-012110.4000/12vk1Ovids Metamorphosen als politische Dichtung gelesenUlrich SchmitzerIs a reading of Ovid's Metamorphoses as political poetry a legitimate interpretative approach to this work? In order to answer this question, the relationship between ancient epic poetry and politics must first be analysed. On this basis, strong evidence can be found in the Metamorphoses that Ovid demonstrates to the reader that the Metamorphoses can be read in this way, without exhausting itself one-dimensionally in this interpretation, through the targeted integration of political themes at the beginning of the work (Lycaon, Daphne, the castle of the sun in the Phaethon story), which becomes a closed framework through the inclusion of Augustus at the end. Politics is one of the equally important themes of the Metamorphoses as a "total epic"; it is simultaneously relativised and eludes a clear definition through the targeted use of ambivalence: The Metamorphoses are both loyal and subversive, the decisive factor is not Augustus, but the poet himself, who controls the text.https://journals.openedition.org/dictynna/3704VergilAugustusOvidMetamorphosesDaphnePhaethon
spellingShingle Ulrich Schmitzer
Ovids Metamorphosen als politische Dichtung gelesen
Dictynna
Vergil
Augustus
Ovid
Metamorphoses
Daphne
Phaethon
title Ovids Metamorphosen als politische Dichtung gelesen
title_full Ovids Metamorphosen als politische Dichtung gelesen
title_fullStr Ovids Metamorphosen als politische Dichtung gelesen
title_full_unstemmed Ovids Metamorphosen als politische Dichtung gelesen
title_short Ovids Metamorphosen als politische Dichtung gelesen
title_sort ovids metamorphosen als politische dichtung gelesen
topic Vergil
Augustus
Ovid
Metamorphoses
Daphne
Phaethon
url https://journals.openedition.org/dictynna/3704
work_keys_str_mv AT ulrichschmitzer ovidsmetamorphosenalspolitischedichtunggelesen