Œuvres composites / œuvres vivantes ?
The use of living elements as part of the structure of artworks is especially frequent in the permanent collection of the château d’Oiron, as well as in work made for the temporary exhibitions. This has led us to focus our research on the methods and techniques used for the présentation and conserva...
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| Format: | Article |
| Language: | English |
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Association CeROArt
2013-08-01
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| Series: | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
| Subjects: | |
| Online Access: | https://journals.openedition.org/ceroart/3450 |
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| _version_ | 1832578118331662336 |
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| author | Samuel Quenault |
| author_facet | Samuel Quenault |
| author_sort | Samuel Quenault |
| collection | DOAJ |
| description | The use of living elements as part of the structure of artworks is especially frequent in the permanent collection of the château d’Oiron, as well as in work made for the temporary exhibitions. This has led us to focus our research on the methods and techniques used for the présentation and conservation of such work. We specifically look at Claire Morgan’s, Here is the End of All Things ; Michel Blazy’s installation Jardin Volant in the 2003 exhibition, the maintenance of Trichoptères by Hubert Duprat, thee replacement of elements of Guiseppe Penone’s Muta. |
| format | Article |
| id | doaj-art-8a38d54470a545fd86649a410c7c13b9 |
| institution | Kabale University |
| issn | 1784-5092 |
| language | English |
| publishDate | 2013-08-01 |
| publisher | Association CeROArt |
| record_format | Article |
| series | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
| spelling | doaj-art-8a38d54470a545fd86649a410c7c13b92025-01-30T14:13:22ZengAssociation CeROArtCeROArt : Conservation, Exposition, Restauration d'Objets d'Art1784-50922013-08-0110.4000/ceroart.3450Œuvres composites / œuvres vivantes ?Samuel QuenaultThe use of living elements as part of the structure of artworks is especially frequent in the permanent collection of the château d’Oiron, as well as in work made for the temporary exhibitions. This has led us to focus our research on the methods and techniques used for the présentation and conservation of such work. We specifically look at Claire Morgan’s, Here is the End of All Things ; Michel Blazy’s installation Jardin Volant in the 2003 exhibition, the maintenance of Trichoptères by Hubert Duprat, thee replacement of elements of Guiseppe Penone’s Muta.https://journals.openedition.org/ceroart/3450installationpreservationpreventive conservationchâteau d’Oironcabinet of curiosities |
| spellingShingle | Samuel Quenault Œuvres composites / œuvres vivantes ? CeROArt : Conservation, Exposition, Restauration d'Objets d'Art installation preservation preventive conservation château d’Oiron cabinet of curiosities |
| title | Œuvres composites / œuvres vivantes ? |
| title_full | Œuvres composites / œuvres vivantes ? |
| title_fullStr | Œuvres composites / œuvres vivantes ? |
| title_full_unstemmed | Œuvres composites / œuvres vivantes ? |
| title_short | Œuvres composites / œuvres vivantes ? |
| title_sort | oeuvres composites oeuvres vivantes |
| topic | installation preservation preventive conservation château d’Oiron cabinet of curiosities |
| url | https://journals.openedition.org/ceroart/3450 |
| work_keys_str_mv | AT samuelquenault œuvrescompositesœuvresvivantes |