L'assemblage par collage d'œuvres d'art contemporain en PMMA
Various objects made out of PMMA (Plexiglas®…) are submitted to conservators when broken. The possibility of restoration by collage, essential to preserve its longevity, can be critical. This material, sensitive to many chemical mixed products, could be permanently damaged. A study allowed to compar...
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| Format: | Article |
| Language: | English |
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Association CeROArt
2013-05-01
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| Series: | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
| Subjects: | |
| Online Access: | https://journals.openedition.org/ceroart/3069 |
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| _version_ | 1832578117412061184 |
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| author | Aurélie Compère |
| author_facet | Aurélie Compère |
| author_sort | Aurélie Compère |
| collection | DOAJ |
| description | Various objects made out of PMMA (Plexiglas®…) are submitted to conservators when broken. The possibility of restoration by collage, essential to preserve its longevity, can be critical. This material, sensitive to many chemical mixed products, could be permanently damaged. A study allowed to compare various adhesive in order to establish the right method, used notably on Martha Boto’s Structure Optique A. |
| format | Article |
| id | doaj-art-87d7daa084e142d5a63c4cb701ade291 |
| institution | Kabale University |
| issn | 1784-5092 |
| language | English |
| publishDate | 2013-05-01 |
| publisher | Association CeROArt |
| record_format | Article |
| series | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
| spelling | doaj-art-87d7daa084e142d5a63c4cb701ade2912025-01-30T14:14:00ZengAssociation CeROArtCeROArt : Conservation, Exposition, Restauration d'Objets d'Art1784-50922013-05-01310.4000/ceroart.3069L'assemblage par collage d'œuvres d'art contemporain en PMMAAurélie CompèreVarious objects made out of PMMA (Plexiglas®…) are submitted to conservators when broken. The possibility of restoration by collage, essential to preserve its longevity, can be critical. This material, sensitive to many chemical mixed products, could be permanently damaged. A study allowed to compare various adhesive in order to establish the right method, used notably on Martha Boto’s Structure Optique A. https://journals.openedition.org/ceroart/3069bondingepoxypoly(methyl methacrylate)PMMAenvironmental stress crackingMartha Boto |
| spellingShingle | Aurélie Compère L'assemblage par collage d'œuvres d'art contemporain en PMMA CeROArt : Conservation, Exposition, Restauration d'Objets d'Art bonding epoxy poly(methyl methacrylate) PMMA environmental stress cracking Martha Boto |
| title | L'assemblage par collage d'œuvres d'art contemporain en PMMA |
| title_full | L'assemblage par collage d'œuvres d'art contemporain en PMMA |
| title_fullStr | L'assemblage par collage d'œuvres d'art contemporain en PMMA |
| title_full_unstemmed | L'assemblage par collage d'œuvres d'art contemporain en PMMA |
| title_short | L'assemblage par collage d'œuvres d'art contemporain en PMMA |
| title_sort | l assemblage par collage d oeuvres d art contemporain en pmma |
| topic | bonding epoxy poly(methyl methacrylate) PMMA environmental stress cracking Martha Boto |
| url | https://journals.openedition.org/ceroart/3069 |
| work_keys_str_mv | AT aureliecompere lassemblageparcollagedœuvresdartcontemporainenpmma |