De Félix Martin-Sabon à Pierre Pradel, une histoire de plaques de verre

The École du Louvre holds, in the spaces of its photographic library, an iconographic collection made up of photographs, postcards, positive and negative glass plates in various sizes, black and white, autochromes, celluloid negatives and slides, supplanted by digital in 1995. Beyond the patrimonial...

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Main Author: Anne-Bénédicte Mérel-Brandenburg
Format: Article
Language:fra
Published: École du Louvre 2018-05-01
Series:Les Cahiers de l'École du Louvre
Subjects:
Online Access:https://journals.openedition.org/cel/938
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author Anne-Bénédicte Mérel-Brandenburg
author_facet Anne-Bénédicte Mérel-Brandenburg
author_sort Anne-Bénédicte Mérel-Brandenburg
collection DOAJ
description The École du Louvre holds, in the spaces of its photographic library, an iconographic collection made up of photographs, postcards, positive and negative glass plates in various sizes, black and white, autochromes, celluloid negatives and slides, supplanted by digital in 1995. Beyond the patrimonialisation of this exceptional collection intended for teaching, the article will focus, based on written archives put into perspective with the glass-plate collection, on its peregrinations (1932–2005), genesis and constitution, management and classification (1900–60), and the renewed interest in the 2010s. The richness of the corpus thus offers new objects of study, from the history of photography to a multidisciplinary approach: painting, sculpture, decorative arts, archaeology, museology and pedagogy.
format Article
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institution Kabale University
issn 2262-208X
language fra
publishDate 2018-05-01
publisher École du Louvre
record_format Article
series Les Cahiers de l'École du Louvre
spelling doaj-art-838043686b3944d6a4a6c3d757b7bf2f2025-01-30T14:00:06ZfraÉcole du LouvreLes Cahiers de l'École du Louvre2262-208X2018-05-011210.4000/cel.938De Félix Martin-Sabon à Pierre Pradel, une histoire de plaques de verreAnne-Bénédicte Mérel-BrandenburgThe École du Louvre holds, in the spaces of its photographic library, an iconographic collection made up of photographs, postcards, positive and negative glass plates in various sizes, black and white, autochromes, celluloid negatives and slides, supplanted by digital in 1995. Beyond the patrimonialisation of this exceptional collection intended for teaching, the article will focus, based on written archives put into perspective with the glass-plate collection, on its peregrinations (1932–2005), genesis and constitution, management and classification (1900–60), and the renewed interest in the 2010s. The richness of the corpus thus offers new objects of study, from the history of photography to a multidisciplinary approach: painting, sculpture, decorative arts, archaeology, museology and pedagogy.https://journals.openedition.org/cel/938photographyglass platesÉcole du Louvreteaching
spellingShingle Anne-Bénédicte Mérel-Brandenburg
De Félix Martin-Sabon à Pierre Pradel, une histoire de plaques de verre
Les Cahiers de l'École du Louvre
photography
glass plates
École du Louvre
teaching
title De Félix Martin-Sabon à Pierre Pradel, une histoire de plaques de verre
title_full De Félix Martin-Sabon à Pierre Pradel, une histoire de plaques de verre
title_fullStr De Félix Martin-Sabon à Pierre Pradel, une histoire de plaques de verre
title_full_unstemmed De Félix Martin-Sabon à Pierre Pradel, une histoire de plaques de verre
title_short De Félix Martin-Sabon à Pierre Pradel, une histoire de plaques de verre
title_sort de felix martin sabon a pierre pradel une histoire de plaques de verre
topic photography
glass plates
École du Louvre
teaching
url https://journals.openedition.org/cel/938
work_keys_str_mv AT annebenedictemerelbrandenburg defelixmartinsabonapierrepradelunehistoiredeplaquesdeverre