De Félix Martin-Sabon à Pierre Pradel, une histoire de plaques de verre
The École du Louvre holds, in the spaces of its photographic library, an iconographic collection made up of photographs, postcards, positive and negative glass plates in various sizes, black and white, autochromes, celluloid negatives and slides, supplanted by digital in 1995. Beyond the patrimonial...
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Format: | Article |
Language: | fra |
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École du Louvre
2018-05-01
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Series: | Les Cahiers de l'École du Louvre |
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Online Access: | https://journals.openedition.org/cel/938 |
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author | Anne-Bénédicte Mérel-Brandenburg |
author_facet | Anne-Bénédicte Mérel-Brandenburg |
author_sort | Anne-Bénédicte Mérel-Brandenburg |
collection | DOAJ |
description | The École du Louvre holds, in the spaces of its photographic library, an iconographic collection made up of photographs, postcards, positive and negative glass plates in various sizes, black and white, autochromes, celluloid negatives and slides, supplanted by digital in 1995. Beyond the patrimonialisation of this exceptional collection intended for teaching, the article will focus, based on written archives put into perspective with the glass-plate collection, on its peregrinations (1932–2005), genesis and constitution, management and classification (1900–60), and the renewed interest in the 2010s. The richness of the corpus thus offers new objects of study, from the history of photography to a multidisciplinary approach: painting, sculpture, decorative arts, archaeology, museology and pedagogy. |
format | Article |
id | doaj-art-838043686b3944d6a4a6c3d757b7bf2f |
institution | Kabale University |
issn | 2262-208X |
language | fra |
publishDate | 2018-05-01 |
publisher | École du Louvre |
record_format | Article |
series | Les Cahiers de l'École du Louvre |
spelling | doaj-art-838043686b3944d6a4a6c3d757b7bf2f2025-01-30T14:00:06ZfraÉcole du LouvreLes Cahiers de l'École du Louvre2262-208X2018-05-011210.4000/cel.938De Félix Martin-Sabon à Pierre Pradel, une histoire de plaques de verreAnne-Bénédicte Mérel-BrandenburgThe École du Louvre holds, in the spaces of its photographic library, an iconographic collection made up of photographs, postcards, positive and negative glass plates in various sizes, black and white, autochromes, celluloid negatives and slides, supplanted by digital in 1995. Beyond the patrimonialisation of this exceptional collection intended for teaching, the article will focus, based on written archives put into perspective with the glass-plate collection, on its peregrinations (1932–2005), genesis and constitution, management and classification (1900–60), and the renewed interest in the 2010s. The richness of the corpus thus offers new objects of study, from the history of photography to a multidisciplinary approach: painting, sculpture, decorative arts, archaeology, museology and pedagogy.https://journals.openedition.org/cel/938photographyglass platesÉcole du Louvreteaching |
spellingShingle | Anne-Bénédicte Mérel-Brandenburg De Félix Martin-Sabon à Pierre Pradel, une histoire de plaques de verre Les Cahiers de l'École du Louvre photography glass plates École du Louvre teaching |
title | De Félix Martin-Sabon à Pierre Pradel, une histoire de plaques de verre |
title_full | De Félix Martin-Sabon à Pierre Pradel, une histoire de plaques de verre |
title_fullStr | De Félix Martin-Sabon à Pierre Pradel, une histoire de plaques de verre |
title_full_unstemmed | De Félix Martin-Sabon à Pierre Pradel, une histoire de plaques de verre |
title_short | De Félix Martin-Sabon à Pierre Pradel, une histoire de plaques de verre |
title_sort | de felix martin sabon a pierre pradel une histoire de plaques de verre |
topic | photography glass plates École du Louvre teaching |
url | https://journals.openedition.org/cel/938 |
work_keys_str_mv | AT annebenedictemerelbrandenburg defelixmartinsabonapierrepradelunehistoiredeplaquesdeverre |