Sculpté, gravé, peint, moulé, estampé
In the scope of a joint research project by the University and the Museum of Art and History of Fribourg dedicated to the study of local sculpture production in the 16th century, up to 460 altarpieces, reliefs and single sculptures have been examined by a research group. On behalf of chosen examples...
Saved in:
| Main Authors: | , |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Association CeROArt
2021-03-01
|
| Series: | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
| Subjects: | |
| Online Access: | https://journals.openedition.org/ceroart/7330 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| _version_ | 1832578115435495424 |
|---|---|
| author | Alain Fretz Stephan Gasser |
| author_facet | Alain Fretz Stephan Gasser |
| author_sort | Alain Fretz |
| collection | DOAJ |
| description | In the scope of a joint research project by the University and the Museum of Art and History of Fribourg dedicated to the study of local sculpture production in the 16th century, up to 460 altarpieces, reliefs and single sculptures have been examined by a research group. On behalf of chosen examples, the article describes the methods and techniques used by medieval sculptors and painters to imitate textile. It also submits evidence of the phenomenon of applied decorations in relief made of stamped paper found sporadically within the examined corpus alongside with the traditional applied brocade made of tin foil. |
| format | Article |
| id | doaj-art-8348fb9d0a584270b9eda6003665c1bf |
| institution | Kabale University |
| issn | 1784-5092 |
| language | English |
| publishDate | 2021-03-01 |
| publisher | Association CeROArt |
| record_format | Article |
| series | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
| spelling | doaj-art-8348fb9d0a584270b9eda6003665c1bf2025-01-30T14:14:18ZengAssociation CeROArtCeROArt : Conservation, Exposition, Restauration d'Objets d'Art1784-50922021-03-0110.4000/ceroart.7330Sculpté, gravé, peint, moulé, estampéAlain FretzStephan GasserIn the scope of a joint research project by the University and the Museum of Art and History of Fribourg dedicated to the study of local sculpture production in the 16th century, up to 460 altarpieces, reliefs and single sculptures have been examined by a research group. On behalf of chosen examples, the article describes the methods and techniques used by medieval sculptors and painters to imitate textile. It also submits evidence of the phenomenon of applied decorations in relief made of stamped paper found sporadically within the examined corpus alongside with the traditional applied brocade made of tin foil.https://journals.openedition.org/ceroart/7330polychromysculpturealtarpieceapplied brocadetin foilstamped paper |
| spellingShingle | Alain Fretz Stephan Gasser Sculpté, gravé, peint, moulé, estampé CeROArt : Conservation, Exposition, Restauration d'Objets d'Art polychromy sculpture altarpiece applied brocade tin foil stamped paper |
| title | Sculpté, gravé, peint, moulé, estampé |
| title_full | Sculpté, gravé, peint, moulé, estampé |
| title_fullStr | Sculpté, gravé, peint, moulé, estampé |
| title_full_unstemmed | Sculpté, gravé, peint, moulé, estampé |
| title_short | Sculpté, gravé, peint, moulé, estampé |
| title_sort | sculpte grave peint moule estampe |
| topic | polychromy sculpture altarpiece applied brocade tin foil stamped paper |
| url | https://journals.openedition.org/ceroart/7330 |
| work_keys_str_mv | AT alainfretz sculptegravepeintmouleestampe AT stephangasser sculptegravepeintmouleestampe |