Les images d’enfermement dans John Marchmont’s Legacy de Mary Elizabeth Braddon

Mary Elizabeth Braddon’s novel John Marchmont’s Legacy was serialized in Temple Bar from December 1862 to January 1864. I am principally interested here in presenting the frequently used images of imprisonment, physical as well as social. Indeed this text allows Miss Braddon to throw light on the po...

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Main Author: Marion Charret-Del Bove
Format: Article
Language:English
Published: Presses Universitaires de la Méditerranée 2006-12-01
Series:Cahiers Victoriens et Edouardiens
Online Access:https://journals.openedition.org/cve/13534
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author Marion Charret-Del Bove
author_facet Marion Charret-Del Bove
author_sort Marion Charret-Del Bove
collection DOAJ
description Mary Elizabeth Braddon’s novel John Marchmont’s Legacy was serialized in Temple Bar from December 1862 to January 1864. I am principally interested here in presenting the frequently used images of imprisonment, physical as well as social. Indeed this text allows Miss Braddon to throw light on the position of middle-class Victorian women in a patriarchal and particularly oppressive world. If, in this story, the reader can see an attempt at refusing or revolting against a paradoxical ideological discourse, Miss Braddon eventually aimed at opening women’s world by subverting traditional roles and making male protagonists experience female suffering and boredom. Intertextuality is also a powerful way of opening the text on others such as Tennyson’s ‘Mariana’ or Charlotte Brontë’s Jane Eyre and voicing a growing feeling of dissatisfaction against an imposed and inappropriate role for women.
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language English
publishDate 2006-12-01
publisher Presses Universitaires de la Méditerranée
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series Cahiers Victoriens et Edouardiens
spelling doaj-art-821f5a7c198048f6b0585a32b9e55d192025-01-30T10:21:05ZengPresses Universitaires de la MéditerranéeCahiers Victoriens et Edouardiens0220-56102271-61492006-12-016310.4000/cve.13534Les images d’enfermement dans John Marchmont’s Legacy de Mary Elizabeth BraddonMarion Charret-Del BoveMary Elizabeth Braddon’s novel John Marchmont’s Legacy was serialized in Temple Bar from December 1862 to January 1864. I am principally interested here in presenting the frequently used images of imprisonment, physical as well as social. Indeed this text allows Miss Braddon to throw light on the position of middle-class Victorian women in a patriarchal and particularly oppressive world. If, in this story, the reader can see an attempt at refusing or revolting against a paradoxical ideological discourse, Miss Braddon eventually aimed at opening women’s world by subverting traditional roles and making male protagonists experience female suffering and boredom. Intertextuality is also a powerful way of opening the text on others such as Tennyson’s ‘Mariana’ or Charlotte Brontë’s Jane Eyre and voicing a growing feeling of dissatisfaction against an imposed and inappropriate role for women.https://journals.openedition.org/cve/13534
spellingShingle Marion Charret-Del Bove
Les images d’enfermement dans John Marchmont’s Legacy de Mary Elizabeth Braddon
Cahiers Victoriens et Edouardiens
title Les images d’enfermement dans John Marchmont’s Legacy de Mary Elizabeth Braddon
title_full Les images d’enfermement dans John Marchmont’s Legacy de Mary Elizabeth Braddon
title_fullStr Les images d’enfermement dans John Marchmont’s Legacy de Mary Elizabeth Braddon
title_full_unstemmed Les images d’enfermement dans John Marchmont’s Legacy de Mary Elizabeth Braddon
title_short Les images d’enfermement dans John Marchmont’s Legacy de Mary Elizabeth Braddon
title_sort les images d enfermement dans john marchmont s legacy de mary elizabeth braddon
url https://journals.openedition.org/cve/13534
work_keys_str_mv AT marioncharretdelbove lesimagesdenfermementdansjohnmarchmontslegacydemaryelizabethbraddon