Evaluation of Contemporary Art in the Process of Production, Distribution and Consumption
How does the art community evaluate contemporary art? This question is discussed based on 16 interviews with artists, gallery owners, curators, and collectors. The contemporary art market is conceptualized as a “creative industry that unites actors involved in the production, distribution, and consu...
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| Format: | Article |
| Language: | English |
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Russian Academy of Sciences, Federal Center of Theoretical and Applied Sociology
2024-03-01
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| Series: | Интеракция. Интервью. Интерпретация |
| Subjects: | |
| Online Access: | https://www.inter-fnisc.ru/index.php/inter/article/view/6000/5832 |
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| _version_ | 1850063119133442048 |
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| author | Alisa Romanovna Lopatkova |
| author_facet | Alisa Romanovna Lopatkova |
| author_sort | Alisa Romanovna Lopatkova |
| collection | DOAJ |
| description | How does the art community evaluate contemporary art? This question is discussed based on 16 interviews with artists, gallery owners, curators, and collectors. The contemporary art market is conceptualized as a “creative industry that unites actors involved in the production, distribution, and consumption of art objects. The research methodology is based on the anthropological approach of Igor Kopytoff and the discursive psychology of Rom Harr?, according to which the history of the movement of cultural objects through social space and the discourses accompanying them are sources of symbolic values. Market practices of art distribution are described: criteria for selecting artists by galleries, legal aspects of distribution and consumption of art objects, informal purchasing practices, moral and pragmatic taboos on buying art objects. Four logics of justifying the value of art objects — “commercial success,” “testimony of the times,” “intellectual development,” “emotional experience”—have been reconstructed. It is demonstrated that consumption as a collector's practice requires following the rules of a “professional approach” to be recognized in the art community. |
| format | Article |
| id | doaj-art-81e283c5fe7845c3b776157dfcb15f91 |
| institution | DOAJ |
| issn | 2307-2075 2687-0401 |
| language | English |
| publishDate | 2024-03-01 |
| publisher | Russian Academy of Sciences, Federal Center of Theoretical and Applied Sociology |
| record_format | Article |
| series | Интеракция. Интервью. Интерпретация |
| spelling | doaj-art-81e283c5fe7845c3b776157dfcb15f912025-08-20T02:49:46ZengRussian Academy of Sciences, Federal Center of Theoretical and Applied SociologyИнтеракция. Интервью. Интерпретация2307-20752687-04012024-03-01161285010.19181/inter.2024.16.1.26000Evaluation of Contemporary Art in the Process of Production, Distribution and ConsumptionAlisa Romanovna Lopatkova0RussiaHow does the art community evaluate contemporary art? This question is discussed based on 16 interviews with artists, gallery owners, curators, and collectors. The contemporary art market is conceptualized as a “creative industry that unites actors involved in the production, distribution, and consumption of art objects. The research methodology is based on the anthropological approach of Igor Kopytoff and the discursive psychology of Rom Harr?, according to which the history of the movement of cultural objects through social space and the discourses accompanying them are sources of symbolic values. Market practices of art distribution are described: criteria for selecting artists by galleries, legal aspects of distribution and consumption of art objects, informal purchasing practices, moral and pragmatic taboos on buying art objects. Four logics of justifying the value of art objects — “commercial success,” “testimony of the times,” “intellectual development,” “emotional experience”—have been reconstructed. It is demonstrated that consumption as a collector's practice requires following the rules of a “professional approach” to be recognized in the art community.https://www.inter-fnisc.ru/index.php/inter/article/view/6000/5832sociology of valuationart marketcultural capitalcreative industries |
| spellingShingle | Alisa Romanovna Lopatkova Evaluation of Contemporary Art in the Process of Production, Distribution and Consumption Интеракция. Интервью. Интерпретация sociology of valuation art market cultural capital creative industries |
| title | Evaluation of Contemporary Art in the Process of Production, Distribution and Consumption |
| title_full | Evaluation of Contemporary Art in the Process of Production, Distribution and Consumption |
| title_fullStr | Evaluation of Contemporary Art in the Process of Production, Distribution and Consumption |
| title_full_unstemmed | Evaluation of Contemporary Art in the Process of Production, Distribution and Consumption |
| title_short | Evaluation of Contemporary Art in the Process of Production, Distribution and Consumption |
| title_sort | evaluation of contemporary art in the process of production distribution and consumption |
| topic | sociology of valuation art market cultural capital creative industries |
| url | https://www.inter-fnisc.ru/index.php/inter/article/view/6000/5832 |
| work_keys_str_mv | AT alisaromanovnalopatkova evaluationofcontemporaryartintheprocessofproductiondistributionandconsumption |