L’horreur acoustique musiques « anempathiques » dans le théâtre de Martin Crimp
The British playwright Martin Crimp suggests an ironic use of music and sounds in his stage directions. Antiphrasis is thus transposed from a textual semiotic system to an auditory semiotic system. Music is not illustrative but arouses on the contrary an “anempathetic” effect, an expression coined b...
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| Format: | Article |
| Language: | English |
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Centre de Recherche "Texte et Critique de Texte"
2003-06-01
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| Series: | Sillages Critiques |
| Subjects: | |
| Online Access: | https://journals.openedition.org/sillagescritiques/2955 |
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