La retouche des peintures acryliques en émulsion non vernies : Aquazol 200. Étude des capacités physiques, chimiques et optiques d’un liant
Glossy retouching is one of the restoration problems which occur with unvarnished acrylic emulsion paintings. Due to the sensitivity to many solvents, every glossy retouching technique has to be avoided because they are not compatible. These investigations have compared the optical abilities of a...
Saved in:
Main Author: | Alice Sautois |
---|---|
Format: | Article |
Language: | English |
Published: |
Association CeROArt
2012-06-01
|
Series: | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
Subjects: | |
Online Access: | https://journals.openedition.org/ceroart/2708 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Application of a methodology for retouching
by: Ana Bailão
Published: (2010-11-01) -
To retouch or not to retouch? – Reflections on the aesthetic completion of wall paintings
by: Isabelle Brajer
Published: (2015-05-01) -
Tratteggio retouch and its derivatives as an image reintegration solution in the process of restoration
by: Magdalena Grenda
Published: (2010-11-01) -
Structurer à l’étape de la retouche
by: Gaëlle Pentier
Published: (2014-03-01) -
Le vernis des apparences
by: Grazia Nicosia
Published: (2010-04-01)