La retouche des peintures acryliques en émulsion non vernies : Aquazol 200. Étude des capacités physiques, chimiques et optiques d’un liant
Glossy retouching is one of the restoration problems which occur with unvarnished acrylic emulsion paintings. Due to the sensitivity to many solvents, every glossy retouching technique has to be avoided because they are not compatible. These investigations have compared the optical abilities of a...
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| Format: | Article |
| Language: | English |
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Association CeROArt
2012-06-01
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| Series: | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
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| Online Access: | https://journals.openedition.org/ceroart/2708 |
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| _version_ | 1832578114081783808 |
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| author | Alice Sautois |
| author_facet | Alice Sautois |
| author_sort | Alice Sautois |
| collection | DOAJ |
| description | Glossy retouching is one of the restoration problems which occur with unvarnished acrylic emulsion paintings. Due to the sensitivity to many solvents, every glossy retouching technique has to be avoided because they are not compatible. These investigations have compared the optical abilities of a few water-soluble polymers mixed with water and pigments. The optical feature, the stability and the compatibility of Aquazol 200 have been more deeply evaluated in a scientific way. |
| format | Article |
| id | doaj-art-81160106ea6e42c4aee594a5c90c6bdd |
| institution | Kabale University |
| issn | 1784-5092 |
| language | English |
| publishDate | 2012-06-01 |
| publisher | Association CeROArt |
| record_format | Article |
| series | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
| spelling | doaj-art-81160106ea6e42c4aee594a5c90c6bdd2025-01-30T14:13:11ZengAssociation CeROArtCeROArt : Conservation, Exposition, Restauration d'Objets d'Art1784-50922012-06-01210.4000/ceroart.2708La retouche des peintures acryliques en émulsion non vernies : Aquazol 200. Étude des capacités physiques, chimiques et optiques d’un liantAlice SautoisGlossy retouching is one of the restoration problems which occur with unvarnished acrylic emulsion paintings. Due to the sensitivity to many solvents, every glossy retouching technique has to be avoided because they are not compatible. These investigations have compared the optical abilities of a few water-soluble polymers mixed with water and pigments. The optical feature, the stability and the compatibility of Aquazol 200 have been more deeply evaluated in a scientific way. https://journals.openedition.org/ceroart/2708retouchingacrylic paintAquazol 200glossiness |
| spellingShingle | Alice Sautois La retouche des peintures acryliques en émulsion non vernies : Aquazol 200. Étude des capacités physiques, chimiques et optiques d’un liant CeROArt : Conservation, Exposition, Restauration d'Objets d'Art retouching acrylic paint Aquazol 200 glossiness |
| title | La retouche des peintures acryliques en émulsion non vernies : Aquazol 200. Étude des capacités physiques, chimiques et optiques d’un liant |
| title_full | La retouche des peintures acryliques en émulsion non vernies : Aquazol 200. Étude des capacités physiques, chimiques et optiques d’un liant |
| title_fullStr | La retouche des peintures acryliques en émulsion non vernies : Aquazol 200. Étude des capacités physiques, chimiques et optiques d’un liant |
| title_full_unstemmed | La retouche des peintures acryliques en émulsion non vernies : Aquazol 200. Étude des capacités physiques, chimiques et optiques d’un liant |
| title_short | La retouche des peintures acryliques en émulsion non vernies : Aquazol 200. Étude des capacités physiques, chimiques et optiques d’un liant |
| title_sort | la retouche des peintures acryliques en emulsion non vernies aquazol 200 etude des capacites physiques chimiques et optiques d un liant |
| topic | retouching acrylic paint Aquazol 200 glossiness |
| url | https://journals.openedition.org/ceroart/2708 |
| work_keys_str_mv | AT alicesautois laretouchedespeinturesacryliquesenemulsionnonverniesaquazol200etudedescapacitesphysiqueschimiquesetoptiquesdunliant |