From A Room with a View to the Fascist Spectacle: Bloomsbury in Italy
Many members of Bloomsbury travelled to Italy between the 1890s and the 1930s. This paper analyses Roger Fry’s, E. M. Forster’s and Virginia Woolf’s reception of Italy as a way of tracing significant changes in the social function of visual art that marked the beginnings of mass tourism and, at the...
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| Format: | Article |
| Language: | English |
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Presses Universitaires de la Méditerranée
2005-12-01
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| Series: | Cahiers Victoriens et Edouardiens |
| Online Access: | https://journals.openedition.org/cve/13613 |
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| _version_ | 1832581312517505024 |
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| author | Elena Gualtieri |
| author_facet | Elena Gualtieri |
| author_sort | Elena Gualtieri |
| collection | DOAJ |
| description | Many members of Bloomsbury travelled to Italy between the 1890s and the 1930s. This paper analyses Roger Fry’s, E. M. Forster’s and Virginia Woolf’s reception of Italy as a way of tracing significant changes in the social function of visual art that marked the beginnings of mass tourism and, at the same time, the emergence of the new relationship between art and politics on which Fascism was built. |
| format | Article |
| id | doaj-art-7d53fefd7f874b93ab2ffef7cfb45b0e |
| institution | Kabale University |
| issn | 0220-5610 2271-6149 |
| language | English |
| publishDate | 2005-12-01 |
| publisher | Presses Universitaires de la Méditerranée |
| record_format | Article |
| series | Cahiers Victoriens et Edouardiens |
| spelling | doaj-art-7d53fefd7f874b93ab2ffef7cfb45b0e2025-01-30T10:21:08ZengPresses Universitaires de la MéditerranéeCahiers Victoriens et Edouardiens0220-56102271-61492005-12-016210.4000/cve.13613From A Room with a View to the Fascist Spectacle: Bloomsbury in ItalyElena GualtieriMany members of Bloomsbury travelled to Italy between the 1890s and the 1930s. This paper analyses Roger Fry’s, E. M. Forster’s and Virginia Woolf’s reception of Italy as a way of tracing significant changes in the social function of visual art that marked the beginnings of mass tourism and, at the same time, the emergence of the new relationship between art and politics on which Fascism was built.https://journals.openedition.org/cve/13613 |
| spellingShingle | Elena Gualtieri From A Room with a View to the Fascist Spectacle: Bloomsbury in Italy Cahiers Victoriens et Edouardiens |
| title | From A Room with a View to the Fascist Spectacle: Bloomsbury in Italy |
| title_full | From A Room with a View to the Fascist Spectacle: Bloomsbury in Italy |
| title_fullStr | From A Room with a View to the Fascist Spectacle: Bloomsbury in Italy |
| title_full_unstemmed | From A Room with a View to the Fascist Spectacle: Bloomsbury in Italy |
| title_short | From A Room with a View to the Fascist Spectacle: Bloomsbury in Italy |
| title_sort | from a room with a view to the fascist spectacle bloomsbury in italy |
| url | https://journals.openedition.org/cve/13613 |
| work_keys_str_mv | AT elenagualtieri fromaroomwithaviewtothefascistspectaclebloomsburyinitaly |