Metal Sheets in Kdushkudshin, the Church of the Virgin Mary of Diyarbakir

Diyarbakır, home of many ancient civilizations, with the acceptance of Christianity as the official religion by the Roman Empire, it became an important centre where many temples were built. It is stated that Syrians were among the first peoples to adopt Christianity here. The fact that the Church o...

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Main Authors: Evin Telli, Mehmet Top
Format: Article
Language:deu
Published: Istanbul University Press 2021-06-01
Series:Sanat Tarihi Yıllığı
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Online Access:https://cdn.istanbul.edu.tr/file/JTA6CLJ8T5/8FB3F23DA76949C584AF04E985603CC7
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author Evin Telli
Mehmet Top
author_facet Evin Telli
Mehmet Top
author_sort Evin Telli
collection DOAJ
description Diyarbakır, home of many ancient civilizations, with the acceptance of Christianity as the official religion by the Roman Empire, it became an important centre where many temples were built. It is stated that Syrians were among the first peoples to adopt Christianity here. The fact that the Church of the Virgin Mary, which is among the early temples in Diyarbakır and the Syriac’s patriarchate centre in different periods, is historically important for Syriacs. The originalliturgical elements in the church draw attention as an indicator of the deep-rooted religious and cultural ties of the Syriac community with the Virgin Mary Church. Among these liturgical elements, the example of the main kdushkudshin in the apse of the church stands out. Kdushkudshin, which means “Holy of the Holies” on Syriac, corresponds to the form of kiboriom in Christian architecture from a functional perspective. The plate samples, examined within the scope of the article study, are located on the altar table of the kdushkudshin. The subject of the plate samples in question; consists of three main depictions: Jesus' life, namely the nativity, his crucifixion, and the scene of lamentation for Jesus. The scenes listed in chronological order are handled in an arrangement that reflects the iconographic expression language of Christian art. Examples of these plates, found in kdushkudshin, present descriptions that coincide with the symbolic meaning of kdushkudshin and embody its holines. The composition of the plates has not yet been encountered among Syriac and Christian metal art examples. For this reason, authentic metal plates have been tried to be evaluated in terms of Syriac and Christian art by defining in terms of material, technique, stylistic and iconography.
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spelling doaj-art-7d4e6cd54f7e4534b13295ebb76b6bb82025-08-20T02:14:23ZdeuIstanbul University PressSanat Tarihi Yıllığı2717-69402021-06-013025928910.26650/sty.2021.843150123456Metal Sheets in Kdushkudshin, the Church of the Virgin Mary of DiyarbakirEvin Telli0https://orcid.org/0000-0003-3409-8192Mehmet Top1https://orcid.org/0000-0001-6018-6271Van Yüzüncü Yıl Üniversitesi, Van, TurkiyeVan Yüzüncü Yıl Üniversitesi, Van, TurkiyeDiyarbakır, home of many ancient civilizations, with the acceptance of Christianity as the official religion by the Roman Empire, it became an important centre where many temples were built. It is stated that Syrians were among the first peoples to adopt Christianity here. The fact that the Church of the Virgin Mary, which is among the early temples in Diyarbakır and the Syriac’s patriarchate centre in different periods, is historically important for Syriacs. The originalliturgical elements in the church draw attention as an indicator of the deep-rooted religious and cultural ties of the Syriac community with the Virgin Mary Church. Among these liturgical elements, the example of the main kdushkudshin in the apse of the church stands out. Kdushkudshin, which means “Holy of the Holies” on Syriac, corresponds to the form of kiboriom in Christian architecture from a functional perspective. The plate samples, examined within the scope of the article study, are located on the altar table of the kdushkudshin. The subject of the plate samples in question; consists of three main depictions: Jesus' life, namely the nativity, his crucifixion, and the scene of lamentation for Jesus. The scenes listed in chronological order are handled in an arrangement that reflects the iconographic expression language of Christian art. Examples of these plates, found in kdushkudshin, present descriptions that coincide with the symbolic meaning of kdushkudshin and embody its holines. The composition of the plates has not yet been encountered among Syriac and Christian metal art examples. For this reason, authentic metal plates have been tried to be evaluated in terms of Syriac and Christian art by defining in terms of material, technique, stylistic and iconography.https://cdn.istanbul.edu.tr/file/JTA6CLJ8T5/8FB3F23DA76949C584AF04E985603CC7syriac churchsyriac artmetalworkdiyarbakır virgin mary churchkdushkudshin
spellingShingle Evin Telli
Mehmet Top
Metal Sheets in Kdushkudshin, the Church of the Virgin Mary of Diyarbakir
Sanat Tarihi Yıllığı
syriac church
syriac art
metalwork
diyarbakır virgin mary church
kdushkudshin
title Metal Sheets in Kdushkudshin, the Church of the Virgin Mary of Diyarbakir
title_full Metal Sheets in Kdushkudshin, the Church of the Virgin Mary of Diyarbakir
title_fullStr Metal Sheets in Kdushkudshin, the Church of the Virgin Mary of Diyarbakir
title_full_unstemmed Metal Sheets in Kdushkudshin, the Church of the Virgin Mary of Diyarbakir
title_short Metal Sheets in Kdushkudshin, the Church of the Virgin Mary of Diyarbakir
title_sort metal sheets in kdushkudshin the church of the virgin mary of diyarbakir
topic syriac church
syriac art
metalwork
diyarbakır virgin mary church
kdushkudshin
url https://cdn.istanbul.edu.tr/file/JTA6CLJ8T5/8FB3F23DA76949C584AF04E985603CC7
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