Language in Flight: Memorial, Narrative and History in David Copperfield

This article addresses David Copperfield to try and understand what it means to write the autobiography of a violently traumatic life story. The traditional interpretation of the novel is to read it as representing, and overcoming, a childhood trauma through the linguistic mastery of the adult. Yet...

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Main Author: Cathy Caruth
Format: Article
Language:English
Published: Centre de Recherche "Texte et Critique de Texte" 2017-03-01
Series:Sillages Critiques
Subjects:
Online Access:https://journals.openedition.org/sillagescritiques/4880
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author Cathy Caruth
author_facet Cathy Caruth
author_sort Cathy Caruth
collection DOAJ
description This article addresses David Copperfield to try and understand what it means to write the autobiography of a violently traumatic life story. The traditional interpretation of the novel is to read it as representing, and overcoming, a childhood trauma through the linguistic mastery of the adult. Yet if the novel thus dramatizes how traumatic origins can be represented in writing, it also asks what it means for autobiographical language to originate in a trauma. In this sense the novel is not only about the orphan who becomes an autobiographer, but about the emergence of a literary language when the self can no longer tell its own story. What would it mean to read the novel as both the story of an orphan and as a literary, and traumatic, orphaned story?
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institution Kabale University
issn 1272-3819
1969-6302
language English
publishDate 2017-03-01
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series Sillages Critiques
spelling doaj-art-7d31217c30af4ceeb60ba0a5f9383ba02025-01-30T13:47:56ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022017-03-012210.4000/sillagescritiques.4880Language in Flight: Memorial, Narrative and History in David CopperfieldCathy CaruthThis article addresses David Copperfield to try and understand what it means to write the autobiography of a violently traumatic life story. The traditional interpretation of the novel is to read it as representing, and overcoming, a childhood trauma through the linguistic mastery of the adult. Yet if the novel thus dramatizes how traumatic origins can be represented in writing, it also asks what it means for autobiographical language to originate in a trauma. In this sense the novel is not only about the orphan who becomes an autobiographer, but about the emergence of a literary language when the self can no longer tell its own story. What would it mean to read the novel as both the story of an orphan and as a literary, and traumatic, orphaned story?https://journals.openedition.org/sillagescritiques/4880autobiographytraumaCharles DickensDavid Copperfield
spellingShingle Cathy Caruth
Language in Flight: Memorial, Narrative and History in David Copperfield
Sillages Critiques
autobiography
trauma
Charles Dickens
David Copperfield
title Language in Flight: Memorial, Narrative and History in David Copperfield
title_full Language in Flight: Memorial, Narrative and History in David Copperfield
title_fullStr Language in Flight: Memorial, Narrative and History in David Copperfield
title_full_unstemmed Language in Flight: Memorial, Narrative and History in David Copperfield
title_short Language in Flight: Memorial, Narrative and History in David Copperfield
title_sort language in flight memorial narrative and history in david copperfield
topic autobiography
trauma
Charles Dickens
David Copperfield
url https://journals.openedition.org/sillagescritiques/4880
work_keys_str_mv AT cathycaruth languageinflightmemorialnarrativeandhistoryindavidcopperfield