Perception, emotion, and synesthesia: Metaphorical combining in Keats

This article attempts to demonstrate the elaboration of poetic conceptual metaphor by way of perception verbs, emotion verbs, and expressions of synesthesia (sensorial mixing and blending). The instances of conceptual metaphor – various, but always emotionally based in nature – generally include exp...

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Main Author: Brannon Katrina
Format: Article
Language:English
Published: Sciendo 2019-12-01
Series:ExELL (Explorations in English Language and Linguistics)
Subjects:
Online Access:https://doi.org/10.2478/exell-2020-0010
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author Brannon Katrina
author_facet Brannon Katrina
author_sort Brannon Katrina
collection DOAJ
description This article attempts to demonstrate the elaboration of poetic conceptual metaphor by way of perception verbs, emotion verbs, and expressions of synesthesia (sensorial mixing and blending). The instances of conceptual metaphor – various, but always emotionally based in nature – generally include expressions of force-dynamics, taking place within the emotional or psychosocial realm. The analyses, while focusing on a textual analysis as a whole, particularly concentrate on the grammatical and stylistic interplay between verbs and prepositions.
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institution Kabale University
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series ExELL (Explorations in English Language and Linguistics)
spelling doaj-art-7b7cbd6009184579b17edbdca67d167d2025-01-31T08:34:31ZengSciendoExELL (Explorations in English Language and Linguistics)2303-48582019-12-017213515310.2478/exell-2020-0010exell-2020-0010Perception, emotion, and synesthesia: Metaphorical combining in KeatsBrannon Katrina0Université Polytechnique Hauts-de-France, Valenciennes, FranceThis article attempts to demonstrate the elaboration of poetic conceptual metaphor by way of perception verbs, emotion verbs, and expressions of synesthesia (sensorial mixing and blending). The instances of conceptual metaphor – various, but always emotionally based in nature – generally include expressions of force-dynamics, taking place within the emotional or psychosocial realm. The analyses, while focusing on a textual analysis as a whole, particularly concentrate on the grammatical and stylistic interplay between verbs and prepositions.https://doi.org/10.2478/exell-2020-0010conceptual metaphorcognitive poeticssynesthesiaperceptionemotionkeats
spellingShingle Brannon Katrina
Perception, emotion, and synesthesia: Metaphorical combining in Keats
ExELL (Explorations in English Language and Linguistics)
conceptual metaphor
cognitive poetics
synesthesia
perception
emotion
keats
title Perception, emotion, and synesthesia: Metaphorical combining in Keats
title_full Perception, emotion, and synesthesia: Metaphorical combining in Keats
title_fullStr Perception, emotion, and synesthesia: Metaphorical combining in Keats
title_full_unstemmed Perception, emotion, and synesthesia: Metaphorical combining in Keats
title_short Perception, emotion, and synesthesia: Metaphorical combining in Keats
title_sort perception emotion and synesthesia metaphorical combining in keats
topic conceptual metaphor
cognitive poetics
synesthesia
perception
emotion
keats
url https://doi.org/10.2478/exell-2020-0010
work_keys_str_mv AT brannonkatrina perceptionemotionandsynesthesiametaphoricalcombininginkeats