Conservation-Restauration de la peinture sous verre « Digitale » d’Auguste Scévenels
This research focuses on the conservation-restoration of a reverse glass painting produced by Auguste Scévenels. This artwork presents alterations in the glass support. The objective is to propose firstly a method of assembly and secondly to use an innovative technology for the restoration of the gl...
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Format: | Article |
Language: | English |
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Association CeROArt
2016-01-01
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Series: | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
Subjects: | |
Online Access: | https://journals.openedition.org/ceroart/4961 |
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_version_ | 1832578112307593216 |
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author | Adeline Vanryckel |
author_facet | Adeline Vanryckel |
author_sort | Adeline Vanryckel |
collection | DOAJ |
description | This research focuses on the conservation-restoration of a reverse glass painting produced by Auguste Scévenels. This artwork presents alterations in the glass support. The objective is to propose firstly a method of assembly and secondly to use an innovative technology for the restoration of the glass panel : UV polymerisation adhesives. |
format | Article |
id | doaj-art-7b6d40af56de43cd98c71af21db609c4 |
institution | Kabale University |
issn | 1784-5092 |
language | English |
publishDate | 2016-01-01 |
publisher | Association CeROArt |
record_format | Article |
series | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
spelling | doaj-art-7b6d40af56de43cd98c71af21db609c42025-01-30T14:13:20ZengAssociation CeROArtCeROArt : Conservation, Exposition, Restauration d'Objets d'Art1784-50922016-01-01510.4000/ceroart.4961Conservation-Restauration de la peinture sous verre « Digitale » d’Auguste ScévenelsAdeline VanryckelThis research focuses on the conservation-restoration of a reverse glass painting produced by Auguste Scévenels. This artwork presents alterations in the glass support. The objective is to propose firstly a method of assembly and secondly to use an innovative technology for the restoration of the glass panel : UV polymerisation adhesives.https://journals.openedition.org/ceroart/4961bondingfillinguv adhesivereverse glass paintinginfiltration |
spellingShingle | Adeline Vanryckel Conservation-Restauration de la peinture sous verre « Digitale » d’Auguste Scévenels CeROArt : Conservation, Exposition, Restauration d'Objets d'Art bonding filling uv adhesive reverse glass painting infiltration |
title | Conservation-Restauration de la peinture sous verre « Digitale » d’Auguste Scévenels |
title_full | Conservation-Restauration de la peinture sous verre « Digitale » d’Auguste Scévenels |
title_fullStr | Conservation-Restauration de la peinture sous verre « Digitale » d’Auguste Scévenels |
title_full_unstemmed | Conservation-Restauration de la peinture sous verre « Digitale » d’Auguste Scévenels |
title_short | Conservation-Restauration de la peinture sous verre « Digitale » d’Auguste Scévenels |
title_sort | conservation restauration de la peinture sous verre digitale d auguste scevenels |
topic | bonding filling uv adhesive reverse glass painting infiltration |
url | https://journals.openedition.org/ceroart/4961 |
work_keys_str_mv | AT adelinevanryckel conservationrestaurationdelapeinturesousverredigitaledaugustescevenels |