De l’Antiquité à la science-fiction : la réinvention de Babylone dans les représentations artistiques occidentales des xxe et xxie siècles

The iconography of Babylon and the Tower of Babel, often confused legendary places, underwent a surprising transformation beginning in the twentieth century. From an ancient Eastern city, Babylon became a contemporary Western megalopolis and the myth of Babel was the object of a total inversion of v...

Full description

Saved in:
Bibliographic Details
Main Author: Ariane Aujoulat
Format: Article
Language:fra
Published: École du Louvre 2015-04-01
Series:Les Cahiers de l'École du Louvre
Online Access:https://journals.openedition.org/cel/323
Tags: Add Tag
No Tags, Be the first to tag this record!
_version_ 1832578434218328064
author Ariane Aujoulat
author_facet Ariane Aujoulat
author_sort Ariane Aujoulat
collection DOAJ
description The iconography of Babylon and the Tower of Babel, often confused legendary places, underwent a surprising transformation beginning in the twentieth century. From an ancient Eastern city, Babylon became a contemporary Western megalopolis and the myth of Babel was the object of a total inversion of values: from nostalgia for the cohesion through language to the fear of having a unique language imposed on oneself and losing all individuality. These reversals, which originate in a strong identification of Western societies with Babel-Babylon, influence many of the images produced on the subject. Studying these changes enables us to understand the surprising iconographic innovations that were the result: technological progress, slavery and totalitarianism, as well as utopias and towers of books are new elements that influence representations of the myth.
format Article
id doaj-art-7ae1ef28801b4d7ebefc20a4858add75
institution Kabale University
issn 2262-208X
language fra
publishDate 2015-04-01
publisher École du Louvre
record_format Article
series Les Cahiers de l'École du Louvre
spelling doaj-art-7ae1ef28801b4d7ebefc20a4858add752025-01-30T13:59:57ZfraÉcole du LouvreLes Cahiers de l'École du Louvre2262-208X2015-04-01610.4000/cel.323De l’Antiquité à la science-fiction : la réinvention de Babylone dans les représentations artistiques occidentales des xxe et xxie sièclesAriane AujoulatThe iconography of Babylon and the Tower of Babel, often confused legendary places, underwent a surprising transformation beginning in the twentieth century. From an ancient Eastern city, Babylon became a contemporary Western megalopolis and the myth of Babel was the object of a total inversion of values: from nostalgia for the cohesion through language to the fear of having a unique language imposed on oneself and losing all individuality. These reversals, which originate in a strong identification of Western societies with Babel-Babylon, influence many of the images produced on the subject. Studying these changes enables us to understand the surprising iconographic innovations that were the result: technological progress, slavery and totalitarianism, as well as utopias and towers of books are new elements that influence representations of the myth.https://journals.openedition.org/cel/323
spellingShingle Ariane Aujoulat
De l’Antiquité à la science-fiction : la réinvention de Babylone dans les représentations artistiques occidentales des xxe et xxie siècles
Les Cahiers de l'École du Louvre
title De l’Antiquité à la science-fiction : la réinvention de Babylone dans les représentations artistiques occidentales des xxe et xxie siècles
title_full De l’Antiquité à la science-fiction : la réinvention de Babylone dans les représentations artistiques occidentales des xxe et xxie siècles
title_fullStr De l’Antiquité à la science-fiction : la réinvention de Babylone dans les représentations artistiques occidentales des xxe et xxie siècles
title_full_unstemmed De l’Antiquité à la science-fiction : la réinvention de Babylone dans les représentations artistiques occidentales des xxe et xxie siècles
title_short De l’Antiquité à la science-fiction : la réinvention de Babylone dans les représentations artistiques occidentales des xxe et xxie siècles
title_sort de l antiquite a la science fiction la reinvention de babylone dans les representations artistiques occidentales des xxe et xxie siecles
url https://journals.openedition.org/cel/323
work_keys_str_mv AT arianeaujoulat delantiquitealasciencefictionlareinventiondebabylonedanslesrepresentationsartistiquesoccidentalesdesxxeetxxiesiecles