Yeats et le mélange des genres : du texte à la scène
In the « Theatre of Imagination » conceived by Yeats in the 1890s, the poetic Verb is given the power of creating visions through the concrete physicality of its uttering by the performing body of what Georges Banu will later call an « acteur-poète ». This project transforms dramatic writing process...
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Main Author: | Pierre Longuenesse |
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Format: | Article |
Language: | English |
Published: |
Centre de Recherche "Texte et Critique de Texte"
2015-05-01
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Series: | Sillages Critiques |
Subjects: | |
Online Access: | https://journals.openedition.org/sillagescritiques/3976 |
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