Yeats et le mélange des genres : du texte à la scène
In the « Theatre of Imagination » conceived by Yeats in the 1890s, the poetic Verb is given the power of creating visions through the concrete physicality of its uttering by the performing body of what Georges Banu will later call an « acteur-poète ». This project transforms dramatic writing process...
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| Format: | Article |
| Language: | English |
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Centre de Recherche "Texte et Critique de Texte"
2015-05-01
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| Series: | Sillages Critiques |
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| Online Access: | https://journals.openedition.org/sillagescritiques/3976 |
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| author | Pierre Longuenesse |
| author_facet | Pierre Longuenesse |
| author_sort | Pierre Longuenesse |
| collection | DOAJ |
| description | In the « Theatre of Imagination » conceived by Yeats in the 1890s, the poetic Verb is given the power of creating visions through the concrete physicality of its uttering by the performing body of what Georges Banu will later call an « acteur-poète ». This project transforms dramatic writing process into the creation of a multiform object, in which the issue of the drama is brought out by the tension between opposite medium : theatre on the one hand, singing, dance, tale on the other hand… This exploration involves Yeats into original collaborations on stage with composers, musicians, and dancers. In short, those manifestations of an artistic « hors-champ », far from threatening the drama, become on the contrary the core of its expression, as a new power is, on stage, devoted to the Verb : the extra-ordinary power to arise the pneuma of singing as well as the rhythm of the dancing body. |
| format | Article |
| id | doaj-art-7a8f57ca12d549cbb18022952b1ae0a1 |
| institution | Kabale University |
| issn | 1272-3819 1969-6302 |
| language | English |
| publishDate | 2015-05-01 |
| publisher | Centre de Recherche "Texte et Critique de Texte" |
| record_format | Article |
| series | Sillages Critiques |
| spelling | doaj-art-7a8f57ca12d549cbb18022952b1ae0a12025-01-30T13:48:01ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022015-05-011810.4000/sillagescritiques.3976Yeats et le mélange des genres : du texte à la scènePierre LonguenesseIn the « Theatre of Imagination » conceived by Yeats in the 1890s, the poetic Verb is given the power of creating visions through the concrete physicality of its uttering by the performing body of what Georges Banu will later call an « acteur-poète ». This project transforms dramatic writing process into the creation of a multiform object, in which the issue of the drama is brought out by the tension between opposite medium : theatre on the one hand, singing, dance, tale on the other hand… This exploration involves Yeats into original collaborations on stage with composers, musicians, and dancers. In short, those manifestations of an artistic « hors-champ », far from threatening the drama, become on the contrary the core of its expression, as a new power is, on stage, devoted to the Verb : the extra-ordinary power to arise the pneuma of singing as well as the rhythm of the dancing body.https://journals.openedition.org/sillagescritiques/3976Yeatspoetic dramaThe Shadowy Waterspost-dramatic theatretheatre and dancegenre crossing |
| spellingShingle | Pierre Longuenesse Yeats et le mélange des genres : du texte à la scène Sillages Critiques Yeats poetic drama The Shadowy Waters post-dramatic theatre theatre and dance genre crossing |
| title | Yeats et le mélange des genres : du texte à la scène |
| title_full | Yeats et le mélange des genres : du texte à la scène |
| title_fullStr | Yeats et le mélange des genres : du texte à la scène |
| title_full_unstemmed | Yeats et le mélange des genres : du texte à la scène |
| title_short | Yeats et le mélange des genres : du texte à la scène |
| title_sort | yeats et le melange des genres du texte a la scene |
| topic | Yeats poetic drama The Shadowy Waters post-dramatic theatre theatre and dance genre crossing |
| url | https://journals.openedition.org/sillagescritiques/3976 |
| work_keys_str_mv | AT pierrelonguenesse yeatsetlemelangedesgenresdutextealascene |