Vulnerability and Shame in the Writing of the Female Body: Emilie Pine’s Notes to Self
This article examines the representation of the female body in Emilie Pine’s (2018) personal essay ‘Notes on Bleeding & Other Crimes.’ Drawing on vulnerability studies and feminist criticism, I argue that the vulnerability and shame surrounding women’s bodies are reframed as agentic forces, moti...
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| Language: | English |
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Universidad de Alicante
2025-01-01
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| Series: | Revista Alicantina de Estudios Ingleses |
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| Online Access: | https://raei.ua.es/article/view/26321 |
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| author | Lucía Bennett-Ortega |
| author_facet | Lucía Bennett-Ortega |
| author_sort | Lucía Bennett-Ortega |
| collection | DOAJ |
| description | This article examines the representation of the female body in Emilie Pine’s (2018) personal essay ‘Notes on Bleeding & Other Crimes.’ Drawing on vulnerability studies and feminist criticism, I argue that the vulnerability and shame surrounding women’s bodies are reframed as agentic forces, motivating Pine to craft a distinctly feminist narrative. Through a confessional and feminist style that resonates with French feminists’ concept of “écriture féminine,” Pine’s writing transforms personal experience into political critique. The first part of the analysis is dedicated to the representation of the body and its vulnerability, especially in relation to the bodily elements of menstruation and scars. More specifically, I make use of Elaine Scarry’s (1985) formulation of the stages of the “projection of the body,” to examine the journey Pine undergoes in the conceptualisation of her own body: from being ashamed to unashamed. The second part of the analysis explores how Pine’s style of writing leads to the reclaiming of the female body along the lines of what Hélène Cixous (1976) advocates in her influential essay ‘The Laugh of the Medusa.’ Ultimately, Pine’s text illustrates a reconfiguration of vulnerability – not as something negative, but as a source of potential and resistance. |
| format | Article |
| id | doaj-art-792e4a7e6e44458b8ddb4b2b4f11d48a |
| institution | Kabale University |
| issn | 0214-4808 2171-861X |
| language | English |
| publishDate | 2025-01-01 |
| publisher | Universidad de Alicante |
| record_format | Article |
| series | Revista Alicantina de Estudios Ingleses |
| spelling | doaj-art-792e4a7e6e44458b8ddb4b2b4f11d48a2025-01-30T09:27:55ZengUniversidad de AlicanteRevista Alicantina de Estudios Ingleses0214-48082171-861X2025-01-01429511210.14198/raei.2632134528Vulnerability and Shame in the Writing of the Female Body: Emilie Pine’s Notes to SelfLucía Bennett-Ortega0https://orcid.org/0000-0002-4100-6068University of GranadaThis article examines the representation of the female body in Emilie Pine’s (2018) personal essay ‘Notes on Bleeding & Other Crimes.’ Drawing on vulnerability studies and feminist criticism, I argue that the vulnerability and shame surrounding women’s bodies are reframed as agentic forces, motivating Pine to craft a distinctly feminist narrative. Through a confessional and feminist style that resonates with French feminists’ concept of “écriture féminine,” Pine’s writing transforms personal experience into political critique. The first part of the analysis is dedicated to the representation of the body and its vulnerability, especially in relation to the bodily elements of menstruation and scars. More specifically, I make use of Elaine Scarry’s (1985) formulation of the stages of the “projection of the body,” to examine the journey Pine undergoes in the conceptualisation of her own body: from being ashamed to unashamed. The second part of the analysis explores how Pine’s style of writing leads to the reclaiming of the female body along the lines of what Hélène Cixous (1976) advocates in her influential essay ‘The Laugh of the Medusa.’ Ultimately, Pine’s text illustrates a reconfiguration of vulnerability – not as something negative, but as a source of potential and resistance.https://raei.ua.es/article/view/26321menstruationfemale bodyécriture féminineirish literaturememoirvulnerability |
| spellingShingle | Lucía Bennett-Ortega Vulnerability and Shame in the Writing of the Female Body: Emilie Pine’s Notes to Self Revista Alicantina de Estudios Ingleses menstruation female body écriture féminine irish literature memoir vulnerability |
| title | Vulnerability and Shame in the Writing of the Female Body: Emilie Pine’s Notes to Self |
| title_full | Vulnerability and Shame in the Writing of the Female Body: Emilie Pine’s Notes to Self |
| title_fullStr | Vulnerability and Shame in the Writing of the Female Body: Emilie Pine’s Notes to Self |
| title_full_unstemmed | Vulnerability and Shame in the Writing of the Female Body: Emilie Pine’s Notes to Self |
| title_short | Vulnerability and Shame in the Writing of the Female Body: Emilie Pine’s Notes to Self |
| title_sort | vulnerability and shame in the writing of the female body emilie pine s notes to self |
| topic | menstruation female body écriture féminine irish literature memoir vulnerability |
| url | https://raei.ua.es/article/view/26321 |
| work_keys_str_mv | AT luciabennettortega vulnerabilityandshameinthewritingofthefemalebodyemiliepinesnotestoself |